Werner Schünemann
1959 (67 лет)
Meninos de Kichute
Luca Amberg
Vivianne Pasmanter, Paulo César Peréio
A 12 year old boy dreams of becoming a goalkeeper for the national Brazilian soccer team, but first he has to overcome his own fears to convince his team boys club and his father who is against competition.
Boys In Kichute
The Time and Turn of Augusto Matraga
Vinicius Coimbra
João Miguel, José Wilker
Based on Guimarães Rosa's (classic Brazilian author) short story, the movie tells the story of Augusto Matraga, a bankrupt and violent farmer who lives above the Law in Minas Gerais' hinterland. During a difficult time, he finds himself in the middle of a trap that nearly kills him. Born again, Matraga resorts to faith and hard work in the pursuit of redemption. Years later, he arrives at the village reigned by the hinterland's ruler and his thugs. This new friendship will challenge his destiny. Inside Matraga, the Saint and the Warrior will duel until his time comes.
The Time and Turn of Augusto Matraga
Quase Dois Irmãos
Lúcia Murat
Caco Ciocler, Flávio Bauraqui
The strange friendship between two men of opposite social classes. Miguel is a senator. His childhood friend Jorge is a major drug-dealer. In the 1970s, they meet in prison: Miguel was there for political reasons, and Jorge, as a common criminal.
Almost Brothers
Deu Pra Ti Anos 70
Giba Assis Brasil, Nelson Nadotti
Pedro Santos, Sérgio Lulkin
Deu Pra Ti Anos 70 is a Brazilian film, shot in super-8 in 1981 in the city of Porto Alegre. It tells the story of the meetings and disagreements between Marcelo and Ceres through the 1970s, in bars, dance meetings and camps. It has the special participation of artists who would become important in the gaúcho music scene, such as Nei Lisboa, Júlio Reny, Augusto Licks, Wander Wildner and Carlos Gerbase. It was the first film by actor Werner Schünemann.
Deu Pra Ti Anos 70
Bens Confiscados
Carlos Reichenbach
Betty Faria, Werner Schünemann
Betrayed wife of a powerful and corrupt Senator, turns him in, and his fraud schemes and lies are exposed. After one of his lovers commits suicide, he has his illegitimate son kidnapped and taken to a decadent seaside resort in the country's extreme southern coast. The Senator chooses another former lover to take care of his son, and the two of them become involved beyond that of a mother son relationship.
Confiscated Goods
Astral City: A Spiritual Journey
Wagner de Assis
Werner Schünemann, Renato Prieto
The selfish Dr. André Luiz dies and awakes in the limbo called "Umbral". After a painful period in the gruesome swamp, he is rescued and brought in a white light to "Nosso Lar" (meaning "Our Home"). He finds a place of harmony, where people live in peace awaiting
Astral City: A Spiritual Journey
Olga
Jayme Monjardim
Camila Morgado, Caco Ciocler
Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and sent to Nazi Germany, where she was put to death in a concentration camp. After World War II began, Vargas decided to uphold the Allies.
Olga
O Pulso
José Pedro Goulart
Werner Schünemann, Letícia Spiller
In a morgue, the corpse of a young man that suddenly died on the streets probably due to a heart attack will be examined by the coroner Elizabeth (Letícia Spiller). She questions with her colleague the death of a person so young and handsome, but the brain of the dead man somehow is working and he falls in love for her. Meanwhile, a deranged man invades the morgue and threatens Elizabeth with a gun, with the witness of the dead man, who is immobilized (since he is dead) and unable to help her.
O Pulso
Alma mater
Álvaro Buela
Roxana Blanco, Nicolás Becerra
34-year-old Pamela is a small and shy woman. She works at the cash register of a supermarket. She attends a religious temple led by a Brazilian minister. She periodically visits her autistic mother. She is an anonymous character, leading a meaningless life. Suddenly, a miracle occurs. Messages of a marvelous destiny start to reach Pamela in unusual ways: a client, a gentle and charismatic transvestite, her own mother, dreams, bar codes, real and imaginary signals. The Savior of the Next Millennium is apparently on his way and everything indicates that she, being a virgin, is carrying him on her entrails. Impelled to face herself, Pamela undertakes an inner voyage. A paradoxical voyage: the more mystic she grows to be, the more human she becomes.
Alma Mater
