Željko Senečić
1933 - 2018Senečić studied painting at the Zagreb Academy of Fine Arts and scenography at the Zagreb Academy of Drama Arts. His career in filmmaking and production design began in the early 1960s. His most memorable films include the Palme d'Or and Academy Award-winning The Tin Drum (Die Blechtrommel, 1979; directed by Volker Schlöndorff and partially filmed in Zagreb, with Senečić credited as production co-designer) and classics of Croatian cinema such as Rondo (1966), One Song a Day Takes Mischief Away (Tko pjeva zlo ne misli, 1970).
Senečić won four Golden Arena for Best Production Design awards, making him one of the most decorated production designers in Croatian cinema.
He also co-wrote screenplays for films An Event (Događaj, 1969; directed by Vatroslav Mimica) and The House (Kuća, 1975; directed by Bogdan Žižić). Senečić also started directing short films in the late 1970s and then proceeded to make several feature films in the 1990s, such as Delusion (Zavaravanje, 1998) and Dubrovnik Twilight (Dubrovački suton, 1999).
Crveno i crno
Željko Senečić
Božidar Orešković, Ljerka Končar Gamulin
A painter comes to the hospital for scanning, believed he has cancer. He carries a gun to shot himself just in case if it proves that he's right. When the results turn out to be negative, he's perplexed because it's actually life that is rigorous, and should he use his weapon anyway.
Red and Black
Pont Neuf
Željko Senečić
Ivan Marevich, Senka Bulić
A young Croatian painter Josip Račić in the solitude of a Parisian attic encounters unusual people and falls in love with a cabaret singer. The ambience of the cheap Parisian hotel mixes in the painter's mind with memories of his childhood and youth in the Slavonian plain, all these things finding their expression in his paintings that start to attract the attention of experts...
Pont Neuf
Delusion
Željko Senečić
Sandra Lončarić, Božidar Orešković
Joza, a middle-aged professional driver, offers Stella, a young and attractive prostitute, a ride from Zadar to Zagreb. Joza remembers his traumatic war experiences and his son who returned from combat with a severe disability. Underneath her seemingly cold and calculated demeanor, Stella is also a grieving parent. During the ride, the two develop a special relationship.
Delusion
