Jonathan Vinel
1988 (36 лет)French Touch: Coming of Age
Caroline Poggi, Hadrien Bichet
Manon Carrand, Lucas Doméjean
Unfamiliar stories that are universally relatable, these teenagers are put into situations which they have no experience deal with. A reflective anthology of French short films exploring the elation and heartbreak of not quite knowing who you are yet.
French Touch: Coming of Age
Martin Cries
Jonathan Vinel
Paul Hamy, Clémence Diard
Martin cries. He is alone. He woke up in the morning and all his friends were gone. Disappeared. Just not there. He sets off to look for them. And he searches everywhere, in the city, in the mountains, in the rivers, but he doesn’t find them. That makes him furious. Really furious – really sad. Rage, violence, longing, loneliness. Without fear of great feelings, without fear of one's own courage and without fear of violence, Jonathan Vinel tells a story of love and loss entirely based on elements from the computer game Grand Theft Auto V – beyond all kinds of tawdry notions and with extremely concrete physicality.
Martin Cries
Notre héritage
Caroline Poggi, Jonathan Vinel
Sarah-Megan Allouch-Mainier, Lucas Doméjean
Lucas invites his girlfriend Anäis to visit him at home. His parents aren’t around. The garden is all theirs. They can make love there. A photograph hangs on the wall of a man with a tiger in his arms. “Is that your father?” asks Anäis. “Yes, that’s my father. He’s the chairman of a tiger protection group in Thailand.” The father is Pierre Woodman, the famous pornographic film director. Lucas enters into an imaginary dialogue with his father. He makes an attempt to understand his father and makes an attempt at love himself – always in view of his father, who practised it incessantly.Then Lucas confers Anäis with a knighthood and fiction soars above reality.
Our Legacy
After School Knife Fight
Caroline Poggi, Jonathan Vinel
Marylou Mayniel, Lucas Doméjean
Laëtitia, Roca, Nico and Naël are in a band. As per usual, they meet late afternoon before rehearsal in a vacant lot. The group will soon no longer exist; they will be forced to disband because Laetitia is moving away to study. This is the story of four young adults who do not want to say good-bye.
After School Knife Fight
Jessica Forever
Caroline Poggi, Jonathan Vinel
Aomi Muyock, Sebastian Urzendowsky
Jessica is the leader of a group of lost boys with a violent past who now seek peace and harmony. She is the only one to have ever brought them love and understanding. They only wish to create a world where they can live in peace together, and forever.
Jessica Forever
Bébé Colère
Caroline Poggi, Jonathan Vinel
Barbara Braccini, Jonathan Vinel
A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.
Baby Anger
Ultra Rêve
Caroline Poggi, Yann Gonzalez
Three short films, out of the ordinary, brought together under a bewitching and enticing title. They are After School Knife Fight by the duo Poggi/Vinel, Les Îles by Gonzales, and Ultra Pulpe by Mandico. Three atmospheres, three sensitivities, going through three forms of expression (music, theatre and cinema) and which, put end-to-end, create an alternative pathway towards borrowed worlds of romance first, then obsession, and in the end, possession. Worlds of soft naivety, of nightmarish creatures and of pop fantasy, reminding us of the mysterious and velvety snatches of our dreams that stick to the spirit when one leaves them.
Ultra Rêve
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Jonathan Vinel
My neighbour committed suicide. He was car tuning at the end of his life. I played football with him. Child. And also ping-pong. Herepaired our computer. He was called Gilles my neighbour. We cannot play any more. In a room, a boy reminds himself his dead friends.
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