Tamar van den Dop
1970 (54 года)
Blind
Tamar van den Dop
Joren Seldeslachts, Halina Reijn
Ruben (Joren Seldeslachts) is a lone and unbalanced young man who lost his sight in childhood. Marie (Halina Reijn) is an albino woman of temperate look and with a lot of insecurities. She has a beautiful voice and along with Ruben shares a mutual love for books and tales. Ruben's mother hires her as a reader to read her son books orally. While they live in a mansion, between these two lonely souls sparks love, but will love still be blind if the man recovers from his blindness?
Blind
Polonaise
Nicole van Kilsdonk
Nadja Hüpscher, Hajo Bruins
In the TV film Polonaise, traffic jams have grown into a phenomenon in which traffic jam call girls, hairdressers and photographers enliven the endless delays. The film follows a number of people in a jam on the A5. The central character is a Pole in an expensive Saab Convertible, who is wanted by the police. A red Panda carries the heavily pregnant Hilde and her cynical sister. Hilde is worried because she has not seen her friend anymore after a quarrel. In an old Saab, a young couple is bickering. She is a `yuppie cunt' who stakes her marriage for a parking licence and is tired of her husband smoking dope. Charlie the music promoter is driving his son's car. He likes traffic jams, because they allow him to settle his deals undisturbed and meet his secret love, the traffic jam call girl Nena. While the characters are confronted with each other and themselves more and more, tension rises to a peak. A radio pirate connects the story lines with his chatter.
Polonaise
Het glinsterend pantser
Maarten Treurniet
Gijs Scholten van Aschat, Thom Hoffman
After losing sight of each other for 25 years, the paths of three childhood friends cross paths. It concerns successful conductor Victor Slingeland, successful writer Sander Vastenhout and general practitioner Bert Duprez. Slingeland enjoys a reputation as a womanizer. This intrigues Vastenhout who, as is often the case with authors, is without inspiration. Vastenhout sees the unraveling of Slingeland's complex personality as possible new material for a novel. With the help of Dr. Duprez, Vastenhout tries to find out about Slingeland's secret by imitating his behavior and thus challenging him.
The Shining Armour
Stop!
Mathijs Geijskes
Lore Dijkman, Rifka Lodeizen
Just your ordinary video store around the corner: A woman enters, grabs a videotape and goes to the counter. She pulls a gun and asks for money. "Quick, quick, quick!" The cashier looks anxious and hands over the money. But just when she turns around to walk away, the cashier pulls a shotgun and fires. Is it for real? Apparently not, because someone shouts: Stop! and we suddenly find ourselves on a film set. The director seems to disagree however with the decision to stop shooting. She reflects on the situation. Then, just few moments later, the director is lying in bed. Was the film set real? Was it fiction?
Stop!
Dag
Tamar van den Dop
Suzan Bogaerdt, Arthur Boni
What do you do if you want to keep reality at a distance? You put a camera in between, just like the boy that unrelentingly lets his camera run at his father’s funeral. His mother can order him to put the thing away as much as she wants, the son keeps capturing what his eyes don’t want to see and his heart doesn’t want to feel. In the process, the handheld perspective also represents the mourning of a child who’d obviously rather play than weep.
Goodbye
Op Hoop van Zegen
Guido Pieters
Kitty Courbois, Danny de Munk
Young Barend is worried about the safety of the sailing vessel he is on. The owner is an unscrupulous and stingy man who skimps on repairs and Barend becomes aware of this. Inevitably there is drama and tragedy. The film is set in an early 20th century Dutch fishing village with local period costume and colour.
The Good Hope
Schat
Tamar van den Dop
Ariane Schluter, Gustav Borreman
Eva is not getting any younger, but has a good job, a beautiful house and nice friends. When she turns 35, her friends give her the only thing preventing her from being perfectly happy: a man. When the whirl of the birthday party is over, it turns out that she, despite the fact that her fondest wish seems to be fulfilled, does not really know what to do with the present.
Honey
Wolfsbergen
Nanouk Leopold
Piet Kamerman, Catherine ten Bruggencate
Konraad, 83, has written a letter to his relatives saying he wants to die. Maria, Konraad's daughter and only child, refuses to discuss her fathers wish. Instead, she wants to move him to a flat for elderly people. Her two grown daughters Sabine and Eva have problems of their own. Sabine has a troubled marriage and her eldest daughter Haas is too wise for her age. Eva is in therapy, recovering from an abortion. Ernst, Marias husband, is the only one who takes an interest. He decides to help Konraad realize his last wish. In doing so, he crosses his wife and increases the already existing distance between them.
Wolfsbergen
Instinct
Halina Reijn
Carice van Houten, Marwan Kenzari
Nicoline, a criminal psychologist, begins work at a prison where one of her new cases, Idris — an apparently reformed sex offender — is preparing for release after five years of confinement. Despite her professional misgivings, she becomes infatuated with her charismatic, manipulative patient.
Instinct
