Zachary Epcar

Under the Heat Lamp an Opening

Zachary Epcar

Kal Bernhardt

An expanded view of the lunch crowd at an open-air restaurant, from a bird's eye of the exterior to the depths of the interior.

Billy

Zachary Epcar

Peter Christian, Kym McDaniel

In Zachary Epcar's fragmentary, soap opera-esque film, lounge music, lamps, coffee pods, and other accoutrements of modern life restage a story of domestic dreams and nightmares.

A Time Shared Unlimited

Zachary Epcar

Near-future leisure time activities and anxieties as a series of minor incidents continually interrupted, alternating between an overcrowded virtual space and a virtually abandoned city space.

Return To Forms

Zachary Epcar

Samuel Breslin, Michael Bucuzzo

A constellation of objects, each emerging into the soft peach-light void of an indeterminate condominium space.

The Salariat in Parts

Zachary Epcar

"But beware, if morality should penetrate beneath the skin, and the pink be not quite moral enough to prevent the eruption of desires!" - Siegfried Kracauer, The Salaried Masses

The Canyon

Zachary Epcar

The canyon is more of a state of mind than a place, really. The architecture here is the architecture of dreams. The infrastructure, an infrastructure of desiring flows. The canyon is community. It is one single resonant tone moving through all bodies at all times.

Night Swells

Zachary Epcar

And you love that humid atmosphere, and you look so lush under glass.

Life After Love

Zachary Epcar

In this serene study of lost love and natural light, parked cars in public spaces become sanctuaries for emotional renewal. Paired with reflective voiceover and strangely comforting self-help recordings, Zachary Epcar’s casually inventive images, highlighting sun-baked glass and asphalt surfaces, imbue the mid-afternoon heat with the promise of a better tomorrow.