Aleksey Fedorchenko
1966 (58 лет)region, in 1966. Graduated from the Engineering and Economics Faculty of the Ural Polytechnic (1988); from script faculty of the Film Institute VGIK (2000, class of V. Chernykh, L. Kozhinova and Yu. Rogozin). Since 1990 has worked at the Sverdlovsk film studio, since 2005 he is producer and director of the film company “29 February”. Debuted in feature films in 2005 with “First on the Moon”.
His works have been awarded prizes at the largest national and international festivals, such as Venice and Rome IFF, IFF Black Nights, and Kinotavr.
Кино эпохи перемен
Aleksey Fedorchenko
A documentary comedy about how a movie was shot at a provincial studio in the mid-nineties. The film is about the Sverdlovsk film Studio, where sports goods and underwear are sold on the site of pavilions and workshops.
Cinema of Change's Era
Война Анны
Aleksey Fedorchenko
Marta Kozlova, Lyubov Vorozhtsova
The entire family of a 6-year-old Anna dies in the mass coordinated execution of Jews. The mother covers up Anna with her own body, and the girl miraculously survives. For the next few hundred days Anna hides in the disused chimney at the Nazi Commandant's office. From her shelter she watches as life passes her by until the village is liberated from the Nazi. In these inhuman conditions Anna not only survives but keeps her humanity. Many factors help her: memories from the life swept away by war, the cultural foundations laid by the parents and a friend who saves her from loneliness.
Anna's War
Небесные жены луговых мари
Aleksey Fedorchenko
Yuliya Aug, Yana Esipovich
This is a collection of portraits: 23 short stories about the Marij women, a sort of Decameron suspended between magic and realism, in which the Autonomous Republic of the Marij El serves as a backdrop for the collective history of a people of ancient tradition. A journey into a mysterious and unknown part of the world.
Celestial Wives of the Meadow Mari
Первые на Луне
Aleksey Fedorchenko
Aleksey Anisimov, Viktoriya Ilyinskaya
In spring 1938 in the mountains in the north of Chile a fiery UFO, later named "Chilean Sphere ", fell down. The investigation of this episode, made by a film crew, has led to a sensational discovery. It appeared that before the Second World War (in the thirties) in the USSR a secret space program had been developed. The Soviet scientists and military authorities managed to launch the first spacecraft 23 years prior to Jury Gagarin's flight! "The First on the Moon" tells about everyday life, heroic deeds and tragedy of the first group of the Soviet cosmonauts. It is the first Russian film shot in a very rare genre 'mockumentary' or 'documentary fiction'.
First on the Moon
Ангелы революции
Aleksey Fedorchenko
Darya Ekamasova, Pavel Basov
Five friends – a poet, an actor, a painter, an architect and a primitivist film director – are five red avant-garde artists who try to find the embodiment of their hopes and dreams in the young Soviet state. The Revolution is boiling up like a bottle with apple cider: winged service dogs and heart-shaped potatoes, dead Semashko, the People’s Commissar for Health, and cheerful angels, love for the Tsar and love for the young secretary Annushka, executions and pregnancies – everything is interlaced and inseparable!
Angels of Revolution
Железная дорога
Aleksey Fedorchenko
Sergey Belyaev, Viktor Terelya
Mischa, a mute boy, sets out on a surrealistic journey together with his father and two men. Their means of transportation is an old Soviet locomotive, loaded with stolen coal. The travellers intend to sell off the loot on their way through the borderless steppes of inner Russia. As a parallel to the main plot, sequences of a mysterious travelling circus keep reappearing in a very suggestive way. Many of the odd artists at the circus are people that the four protagonists encounter in the wilderness along the overgrown railway. All through the movie there is a sensation of magic crossed with pure realism, stressed by the crackling communistic infrastructure and a twisted sense of humor. The border between reality and fantasy is very subtle here. The Railway is a story about strong family ties, but also an ambitious interpretation of the clash between the Russia of old and new. One could call it the rebirth of a long forgotten genre: the Russian wonder story.
The Railway
Последняя «Милая Болгария»
Aleksey Fedorchenko
Ilya Belov, Konstantin Itunin
1943 year. Alma-Ata. The hero of the film is a young Michurin fruit grower who revives a medicinal apple variety and investigates a strange crime. The script was written based on the book by Mikhail Zoshchenko "Before the Sunrise".
Last «Dear Bulgaria»
The Fourth Dimension
Harmony Korine, Aleksey Fedorchenko
Val Kilmer, Rachel Korine
Created under a “manifesto” whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Fortunately, its directors – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make The Fourth Dimension an exhilarating experiment.
The Fourth Dimension
Venice 70: Future Reloaded
Franco Maresco, John Akomfrah
Bernardo Bertolucci, Haile Gerima
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Venice 70: Future Reloaded
时间去哪儿了
Madhur Bhandarkar, Jahmil X.T. Qubeka
Zhao Tao, Liang Jingdong
A short film omnibus featuring the work of five directors representing five countries involved in the 2017 BRICS summit, an annual international relations conference held between Brazil, Russia, India, China and South Africa. The collection—taking the concept of time as a unifying theme—depicts the economic, political, and social alienations and contradictions that create, compound, and structure issues as wide-ranging as poverty, class stratification, and homeless; familial distress; spousal abuse; and natural disaster.
Where Has Time Gone?
Давид
Aleksey Fedorchenko
"David" is the story of a Jewish boy from Minsk, David Levin, who went through the press of the state machines of Nazi Germany, the Soviet Union, England, France, and even Israel and did not break down, but retained his humanity, kindness to the world.
David
Большие змеи Улли-Кале
Aleksey Fedorchenko
Aleksey Fedorchenko, Darya Ismagulova
The film is about the relations between the inhabitants of Russia and the Caucasus, and about their influence on each other. Young Georgian Georgi Iobadze tells the audience the story of the Vainakhs (a group of peoples of the North Caucasus and Georgia) in the period from 1813 to 1913.
Big Snakes of Ulli-Kale
