
Otto Šimánek
1925 - 1992He trained as an electrician at Tesla in Prague and has so far played the theater only amateuristically. He later got to the Theater on May 5 and also traveled for a few months at the Theater under the Placht of Jindřich Plachta. He gained acting experience in various theaters. He worked in theaters in Zlín, Ostrava and finally in 1958 he was engaged in the Municipal Theaters of Prague, where he lasted until 1990.
He played a number of large roles on the stage. The character of the clown Jean Debureau remains unforgettable for the audience in the dramatization of Kožík's novel The Greatest of the Pierots, where he could fully use his love for pantomime. Acting in the Prague theater also meant an opportunity to win film and television roles. He mainly played smaller roles in about forty films. The most famous is probably the role from the movie I'll Get Up Tomorrow and Bake My Tea.
His character, Mr. Tau, entered the European and, to some extent, world film consciousness in the co-production series of the same name by director Jindřich Polák and screenwriter Ota Hofman. He also taught pantomime at the Prague Conservatory and DAMU. Among his students was, among others, the actor Petr Čepek.
On the site of the pharmacy where Otto Šimánek was born, an ash statue was installed in 2011 depicting an actor in the role of Mr. Tau with a typical hand movement near his hat. The author is Daniel Stejskal.
Modlitba pro Kateřinu Horovitzovou
Arnošt Lustig, Antonín Moskalyk
Lenka Fišerová, Jiří Adamíra
A group of wealthy American Jewish businessmen have been captured by the SS and are told that they are to be traded to the American army for several SS officers. However, these hostages are being required to pay bribes for their "transportation costs." In order to ensure that the businessmen will be more cooperative in paying up, a beautiful female singer is placed in their midst as a bargaining chip. The group of hostages are then placed on a train which is supposed to take them to the ship that will deliver them to freedom, but a series of "mishaps" delays their escape.
A Prayer for Katerina Horovitzova
The Fabulous Baron Munchausen
Karel Zeman
Miloš Kopecký, Rudolf Jelínek
The 20th century's first man lands on the moon and discovers - that Baron Munchausen has already beaten him to it, along with Cyrano and characters from Jules Verne's lunar-landing novel. The Baron spirits the young cosmonaut by horse-drawn ship back to an ancient "Earth", where they insult a sultan, rescue a princess, fall in love with the princess, and then as a trio have further experiences in a world of pastel colors, ornate dreamlike settings, and the inevitable angry disrupters of peacefulness and love.
The Fabulous Baron Munchausen
Three Wishes for Cinderella
Václav Vorlíček
Libuše Šafránková, Pavel Trávníček
Popelka, a resourceful and independent young girl, is a servant in her stepmother's house and confides in her closest friend the owl. When she comes across three magical acorns, she's granted a single wish for each one of them.
Three Wishes for Cinderella
Invention for Destruction
Karel Zeman
Lubor Tokoš, Jana Zatloukalová
As the world progresses into the industrial age, a professor studying the "nature of pure matter" is spirited away by a would-be dictator and connived into building a super-bomb, as a young reporter and a girl rescued from the sea attempt to warn him of their mutual kidnapper's intentions to dominate the world with a new and more-deadly-yet weapon.
Invention for Destruction
You Are a Widow, Sir
Václav Vorlíček
Iva Janžurová, Jiří Sovák
After a soldier cuts off the arm of king's cousin, king decides to deactivate the army. Of course, generals don't like it at all and they try to kill the king. The assassin should be artificial body in the shape of actress Evelina Keleti and with brain of psychotic serial killer Fany Stubová. They also manage to kill king's astrologer Stuart Hampl, who warns the king. Accidentally, Hampl's brain is implanted into assassin's body, actress Keleti is killed and chaos begins.
You Are a Widow, Sir
Zkouška pokračuje
Jaroslav Balík
Ivo Palec, Miriam Hynková
Еще в молодости актер Франтишек Лукавец и его преподаватель Владимир Тума стали врагами. Франтишек настоял на том, чтобы Туму как реакционера и враждебно относящегося к новой власти уволили из училища. Прошло много лет, и вот они вновь встретились на сцене одного театра. Франтишеку поручена роль Юлиуса Фучика, Тума в этом же спектакле играет роль гестаповца. По ходу действия гестаповец бьет Фучика. Воспользовавшись случаем, Тума на генеральной репетиции по настоящему избивает своего давнего врага. По лицу Франтишека течет кровь, но он все равно будет играть. Репетиция продолжается...
Zkouška pokračuje
Poplach v oblacích
Jindřich Polák
Otto Šimánek, Vlastimil Brodský
In defiance of all the laws of physics Mr. Tau is walking on the wing of an aircraft flying close to Prague. Young Alenka is enthusiastic, but the other passengers are horrified. The security inspector Málek believes the report from the crew to be a code alerting him to a hijack, and orders an emergency landing. In the confusion at the airport the fairytale Mr. Tau disappears into one of the halls.
Alarm in the Clouds
Tomorrow I'll Wake Up and Scald Myself with Tea
Jindřich Polák
Petr Kostka, Jiří Sovák
Former Nazi Klaus Abard survives to the 1990s by taking anti-ageing pills. He plans to use a time travel trip to return to Germany in 1944 and present Hitler with a hydrogen bomb, so that he can win the war. Unfortunately the pilot, woman-chasing Karel Bures, dies on the morning of the trip and his earnest twin brother Jan impersonates him, without knowing about the plot. The plot goes wrong when they lose the bomb and land near Hitler's bunker in 1941, at a time that the Nazis sense victory. Bures, with two of the plotters, escape capture by the Nazis and make it back to the time machine. Bures programs the machine to return one day before they left, because he figures he can then save his brother and foil the plot.
Tomorrow I'll Wake Up and Scald Myself with Tea
Od zítřka nečaruji
Jindřich Polák
Otto Šimánek, Vlastimil Brodský
Mr. Tau, the quiet and kind magician with a bowler hat and an umbrella, shows up unexpectedly on the wings of a plane during flight. The terrified crew contact the airport security service. After the plane lands, Mr. Tau disappears. The third security inspector Málek is determined to catch the hooligan at any price. To achieve this, he gives up his holiday to visit the children's summer camp. Mr. Málek's son, who just like all the other children is delighted by the new camp cook, Mr. Tau himself, has unknowingly set the inspector on the magician's trail. But the children at the camp are determined not to let their beloved magician get caught and ingeniously place all sorts of traps in Inspector Málek's way.
No Magic from Tomorrow
The End of Agent W4C
Václav Vorlíček
Jiří Sovák, Jan Kačer
The invincible agent Cyril Juan Borguette alias W4C has been assigned a mission to go to a hotel in Prague, get hold of a saltcellar with a plan for the military exploitation of Venus hidden in it, and hand it over to the beautiful agent Alice. He will have to compete for the saltcellar with other agents working for the world's various greater and smaller powers. The head of the Prague counter-intelligence unit gets news of agent W4C's mission. Deficient in personnel, he nominates accountant Foustka as agent 13B. Mr Foustka takes his dog Pajda with him and the two head for the airport. Pajda helps him track down agent W4C in a classy hotel that becomes the battleground for the interests and plans of the secret agents from different countries, each trying to get hold of the precious saltcellar.
The End of Agent W4C
Touha
Vojtěch Jasný
Jan Jakeš, Václav Babka
A poignant overview of how short life can be, this interesting drama from Czech director Vojetch Jasny is divided into four separate segments. In the first skit, a young child's impressions are observed as his newborn baby sister becomes a part of the family. In the second, a young woman falls in love for the first time one summer, and in the third, a tough, older peasant woman battles against the farming cooperatives. Finally, in the last segment, everything comes full circle as a woman who is about to become a grandmother dies while her daughter-in-law has not yet given birth.
Desire