Robert Ashley
1930 - 2014Born in Ann Arbor, Michigan on March 28, 1930, Robert Ashley was educated at the University of Michigan (Mus.B., 1952, Music Theory) and at the Manhattan School of Music (Mus.M., 1954, Piano and Composition.) From 1957 to 1960 he continued to study Composition and Acoustics at the University of Michigan’s Speech Research Laboratories (psycho-acoustics and cultural speech patterns), and was employed as a Research Assistant in Acoustics at the Architectural Research Laboratory.
During the 1960s, Ashley organized the ONCE Festival, the annual festival of contemporary performing arts in Ann Arbor which, from 1961 to 1969, presented most of the decade’s pioneers of the performing arts. In 1980, the Kitchen (New York) commissioned Perfect Lives, an opera for television in seven half-hour episodes. After developing the opera in live tour performances throughout the US, Canada and Europe, Perfect Lives was co-produced with Great Britain’s arts network, Channel Four. First broadcast in Great Britain in April 1984, Perfect Lives has since been seen on television in Austria, Germany, Spain and the United States and has been shown at film and video festivals around the world. It is widely considered to be the pre-cursor of “music-television.”
Robert Ashley is the subject of a film by Peter Greenaway, one of a series entitled Four American Composers, Transatlantic Films (London) and Mystic Fire Video (New York). Burning Books (Santa Fe) with Archer Fields (New York) published Perfect Lives, October 1991. Music with Roots in the Aether was published by MusikTexte (Cologne). Ashley’s book Outside of Time: Ideas about Music, was published by MusikTexte in 2009. Kyle Gann’s biography of Robert Ashley was published by the University of Illinois Press in November 2012.
Ashley died on March 3, 2014. (Source: http://www.robertashley.org/)
Perfect Lives
John Sanborn
Robert Ashley, Jill Kroesen
An opera for television by Robert Ashley. Set in the American Midwest, it is “about” bank robbery, cocktail lounges, geriatric love, adolescent elopement, the changing of the light at sundown, et al. One of the definitive text-sound compositions of the late 20th century, it has been called "the most influential music/theater/literary work of the 1980s".
Perfect Lives
Music with Roots in the Aether: Opera for Television by Robert Ashley
Robert Ashley, Philip Makanna
Robert Ashley, Pauline Oliveros
In 1975 the composer Robert Ashley embarked on an ambitious work titled Music With Roots in the Aether. He called it an Opera (or piece of theater depending on the case) for television. The work is comprised of seven, two hours sections. Each “episode” is dedicated to investigations, interviews, and performances of his one of his peers – David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, and Terry Riley respectively, with the final reserved for himself.
Music with Roots in the Aether: Opera for Television by Robert Ashley
Frames for Seconds
Malcolm McLaren, Joseph Beuys
Video art show presented at the 1991 Broadcast Designers Association convention. Includes work from: Robert Ashley, Robert Breer, Peter Callas, Christen Clark, Sumit Das, Ed Emshwiller, John Hart, Jon Klein, Lyonel Kouro, Maureen Nappi, Paul Garin, Amy Greenfield, Nam June Paik, Mark Pellington, M. Rawlings, John Sanborn, Dan Sandin, William Wegman, Dean Winkler. Major contributions include "MAJORCA-fantasia", "Sunstone", "Welcome to My Living Room" and "Neo-Geo: An American Purchase", as well as excerpts from "Perfect Lives".
Frames for Seconds
The Commission
Woody Vasulka
Robert Ashley, Ernest Gusella
This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative strategies: In each of the eleven segments of this "electronic opera", different effects are used. Fascinated with the remarkable personality of infamous violinist Niccola Paganini and his complicated relationship to Hector Berlioz (played by artists Ernie Gusella and Robert Ashley, respectively), the author meditates over the intricacies of artistic geniality as connected not only with fame but also with the necessity of painful survival under the pressures of the art market.
The Commission
