Amvrosi Buchma
2021Иван Грозный. Сказ второй: Боярский заговор
Sergei Eisenstein
Nikolai Cherkasov, Serafima Birman
This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.
Ivan the Terrible, Part II: The Boyars' Plot
Ivan the Terrible, Part I
Sergei Eisenstein
Nikolai Cherkasov, Lyudmila Tselikovskaya
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
Ivan the Terrible, Part I
Ночной извозчик
Georgi Tasin
Amvrosi Buchma, Maria Dyusimeter
Set in Odesa at the end of the Civil War when the town is occupied by the Whites. The night coachman, fifty-year-old Hordiy Yaroshchuk, lives with his daughter Katya who gets involved with a Bolshevik and revolutionary.
The Night Coachman
Пять невест
Aleksandr Solovyov
Amvrosi Buchma, Tamara Adelheim
During the Russian civil war, the Whites, that anti-Communist force that fought against the Bolsheviks during that period, capture a Jewish Ukranian village; the gang commander threatens a pogrom, and will kill everyone in the village unless the inhabitants agree to give to the White Officers five virgin girls in wedding dresses. Under such terrible pressure, the Jewish council of the town decides, full of sorrow and despair, to sacrifice their daughters to the drunken officers but fortunately and just in time, a detachment of partisans that belong to the Red Army, comes and frees the village.
Five Brides
Тарас Трясило
Pyotr Chardynin
Leonid Barbe, Margarita Barskaya
The film is set in the 17th century, when social antagonism is at its peak. The poverty of peasants and poor Cossacks is opposed to the lavish lifestyle of the Ukrainian and Polish noblemen, priests, and Cossack officers. Cossacks fight off Tatars’ attacks, however, they start to realise that the real enemy is much closer. Taras Triasylo raises Cossacks to help the rebellious peasants. A dramatic historical narrative, masterly mass shootings of horse attacks, hand-to-hand combats and public festivities contrast with lounge scenes in the palace – balls, feasts, and entertainment of rich people and their family members wearing brocade clothes. On a grand scale and with an eye for detail, the director draws the texture of the film and its characters. The leading actors of Les Kurbas’s theatre Berezil played film protagonists. The film based on Volodymyr Sosiura’s verse novel of 1925 was considered lost for a long time.
Taras Tryasylo
Непокоренные
Mark Donskoy
Mikhail Vysotsky, Amvrosi Buchma
Russian filmmaker Mark Donskoi, of "The Gorky Trilogy" fame, was responsible for the postwar Soviet drama The Taras Family (originally Nepokorenniye, and also released as Unvanquished and Unconquered). A semi-sequel to Donskoi's Raduga (1944), the story is set in Nazi-occupied Kiev. The drama focusses on the travails of a typical Soviet family and on the efforts by the Germans to force the reopening of a local munitions factory. The film is at its most grimly effective in a long sequence wherein the Nazis conduct a search for Jewish escapees, culminating in a horribly graphic re-creation of the slaughter of the Jews at Babi Yar. While Donskoi was critically lambasted for his cinematic "sloppyiness" during this sequence (hand-held camera, rapid cuts etc.), it can now be seen that he was attempting a realistic, documentarylike interpretation of this infamous Nazi atrocity.
The Taras Family
Подвиг разведчика
Boris Barnet
Pavel Kadochnikov, Amvrosi Buchma
Soviet agent Fedotov is air-dropped into Nazi occupied land. He changes over into Mr. Ekhert, a German entrepreneur wishing to take advantage of eastern worker slave labor in occupied Ukraine. Ekhert (Fedotov) enters into a partnership with a German entrepreneur who's son, Willie, is a high ranking Nazi. Together they go to Vinnitsa, Ukraine and start a factory. Fedotov begins seeking contacts with headquarters, but faces problems when a Ukrainian Nazi collaborator manages to infiltrate the Soviet partisans.
Secret Agent
В дальнем плавании
Vladimir Braun
Boris Dmokhovsky, Mikhail Vysotsky
The Vityaz sailing corvette, whose team has to endure severe trials, goes on a flight. Relations between the sailors and the stupid and soulless baron von Berg replacing the senior officer did not develop. By his behavior, he causes the hatred of the whole crew, which develops into a riot when he gives the order to drown the darling of the whole team - a little puppy. All this, as well as a storm in the Pacific Ocean and other dangerous adventures, rally people even more and make them even stronger and more courageous.
In the Long Voyage
