
Bogusław Linda
1952 (72 года)Dekalog, siedem
Krzysztof Kieślowski
Anna Polony, Maja Barelkowska
As a high school student, Majka bore a child, Ania, whom Majka’s mother, Ewa, has been raising as her own. Now that Majka is ready for motherhood, Ewa refuses to let go, leading Majka to kidnap her own daughter, with unexpected emotional consequences.
Decalogue VII

Psy
Władysław Pasikowski
Bogusław Linda, Marek Kondrat
In good old days Franz Maurer and his partners from secret police used to live like kings. Now, they all must adapt to new post-communist environment where they are scorned and losing all the privileges. Some, like Franz, are like ordinary police fighting against drug dealers. But Franz would soon find that some of his friends are on the other side.
Dogs

Danton
Andrzej Wajda
Gérard Depardieu, Wojciech Pszoniak
Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.
Danton

Jańcio Wodnik
Jan Jakub Kolski
Franciszek Pieczka, Bogusław Linda
On the road wandering minstrel finds a mare, which, upholstered and sickly, is dying. He buries mare and casts a curse in the village where the animal was tortured. In the village lives Jańcio, a philosopher, a man loving life and his young wife, Weronka. Jańcio lives in harmony with God and is not expecting that he will be put to the test by him. He is convinced he has the power to make miracles. He leaves his pregnant wife, and goes to see the world, promising to return before the due date.
Johnnie Waterman

The Mother of the Kings
Janusz Zaorski
Magda Teresa Wójcik, Zbigniew Zapasiewicz
Made in 1982, shelved for five years. Story opens with Lucja Krol's husband under the tram. She gives birth to her fourth son on the floor of their new apartment. Neighbor Wiktor, a communist intellectual, befriends the poverty-stricken family but is soon arrested and sent to jail. During the war Lucja narrowly escapes a Nazi roundup at the black market. Her sons hold ardent Communist meetings in their apartment, with her blessing. Lucja works hard, but without complaint. After the war, Klemens is inexplicably arrested, accused by the new regime of being a collaborator. Wiktor, now a high-ranking party member, trying to defend him, himself falls into disgrace. Klemens is tortured to "confess" and dies in jail, a Communist to the end. Lucja is never told about his fate.
The Mother of the Kings

Man of Iron
Andrzej Wajda
Jerzy Radziwiłowicz, Krystyna Janda
In Warsaw in 1980, the Communist Party sends Winkel, a weak, alcoholic TV hack, to Gdansk to dig up dirt on the shipyard strikers, particularly on Maciek Tomczyk, an articulate worker whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.
Man of Iron

Elveszett illúziók
Gyula Gazdag
Gábor Máté, Dorottya Udvaros
Via the New York Times: "The Hungarian director Gyula Gazdag has transposed the middle section of Balzac's "Lost Illusions" from Paris in the mid-19th century to the Budapest of 1968... it tells of Laszlo Sardi - Balzac's Lucien Chardon - and his efforts to launch his literary career amid the snobbery and sophistication of a big city."
Lost Illusions

Ostatni Dzwonek
Magdalena Łazarkiewicz
Zbigniew Suszyński, Agnieszka Kowalska
As high school students put on a politically-engaged school play, tensions begin to rise between them and their headmaster. The conflict seems to mirror the social situation in the 1980s Poland.
The Last Schoolbell

A Lonely Woman
Agnieszka Holland
Maria Chwalibóg, Bogusław Linda
Irena, a postal delivery worker, is struggling with inadequate housing, a drunk neighbor who wants to take her place, and a heartless boss, knowing that the whole day at work, she is leaving her young son. But the worst is the loneliness, exacerbated by her single mother status. She meets a crippled pensioner Jacek, who appears to be the key to her happiness, but tragedy continues to strike.
A Woman Alone

Daddy
Maciej Ślesicki
Bogusław Linda, Dorota Segda
Daddy is the story of a divorced father fighting for the right to raise his 7-year-old daughter. When his marriage falls apart, he decides to kidnap his daughter rather than let the court award custody to his mentally ill wife, whom he deems unfit to raise their child. But as he quickly finds out, it's easier to be a real man than it is to be a real father.
Daddy

Afterimage
Andrzej Wajda
Bogusław Linda, Aleksandra Justa
In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
Afterimage
