David Brooks

The Wind Is Driving Him Toward the Open Sea

David Brooks

A non-narrative patchwork of images, light, music, conversation, news headlines, the passing of generations, and, ultimately, a journey from New York City to Martha's Vineyard in an attempt to discover a man named Chandler Moore.

Carolyn And Me: Part One

Carolyn Brooks, David Brooks

David and Carolyn Brooks with friends. At Martha's Vineyard, on NYC bus, shooting at the beach, etc. "Was going to tape Carolyn and my first conversation in about 5 months of no contact. Show true love (whatever that is). Couldn't do it. Chickened out. Didn't want to get something between us. (Carolyn, what's come between us?). Film sequence, love: single frame printing, break colors into basic three (in the order of red, green, blue) and A/B roll to create 'well-known symetry' and to lighten frame (AB brightens, bi-pack darkens) / Binarius is the devil / ah, love / one flesh / let no man put asunder." - David Brooks

Letter to D.H. In Paris

David Brooks

Nathaniel Dorsky, Jerome Hiler

Stoned people, music, movement, fields.

Nightspring Daystar

David Brooks

The film springs from the night through the dawn to the daystar, following the adventures of the mind on the way.

Early Fragments

David Brooks

Reels from 1963 - 1966 compiled from loose footage and fragments shortly after Brooks's death by Jonas Mekas and Carolyn Brooks.

Carolyn and Me: Part Two

Carolyn Brooks, David Brooks

David and Carolyn Brooks and friends. Walking in woods, at picnic, in VW bus, etc. "Was going to tape Carolyn and my first conversation in about 5 months of no contact. Show true love (whatever that is). Couldn't do it. Chickened out. Didn't want to get something between us. (Carolyn, what's come between us?). Film sequence, love: single frame printing, break colors into basic three (in the order of red, green, blue) and A/B roll to create 'well-known symetry' and to lighten frame (AB brightens, bi-pack darkens) / Binarius is the devil / ah, love / one flesh / let no man put asunder." - David Brooks

Jerry

David Brooks

David Brooks’s black & white portrait of fabled underground filmmaker and collagist Jerry Jofen.

Winter '64-'66

David Brooks

Locales: Nantucket, Kazakhstan, Grant’s Nepal, Colorado, Mt. Kearsange, Iowa, 7th Street. Door golden night room trees fire drip rain blue horse river snow birds green mountain forest dark room mist car trees window ducks are flying. Overtones: Raga Palas Kafi, Grant’s, Slug’s, Bo Diddley, Jimmy Reed, Raga Rageshri, the wind, Chuck Berry, Marvin Gaye, the Beatles, Piatniksky Chorus.

Carolyn And Me: Part Three

Carolyn Brooks, David Brooks

David and Carolyn Brooks and friends. At Tibetan seminar, prison, Chandler Moore's house, etc. "Was going to tape Carolyn and my first conversation in about 5 months of no contact. Show true love (whatever that is). Couldn't do it. Chickened out. Didn't want to get something between us. (Carolyn, what's come between us?). Film sequence, love: single frame printing, break colors into basic three (in the order of red, green, blue) and A/B roll to create 'well-known symetry' and to lighten frame (AB brightens, bi-pack darkens) / Binarius is the devil / ah, love / one flesh / let no man put asunder." - David Brooks

Late Fragments

David Brooks

Reels from 1966 - 1969 compiled from loose footage and fragments shortly after Brooks's death by Jonas Mekas and Carolyn Brooks.

Eel Creek

David Brooks

“Fishing/boys and father/pure/simple/straight forward” – Carolyn Brooks

Roland Kirk

David Brooks

"Brooks edited this footage but never printed it in his lifetime. While we cannot know for sure the true origins of, or intentions for, this material, it is a stunning document of the legendary jazz musician." - Anthology Film Archives