
Claude Aufaure
2021La Belle Époque
Nicolas Bedos
Daniel Auteuil, Guillaume Canet
Victor, a disillusioned sexagenarian, sees his life turned upside down on the day when Antoine, a brilliant entrepreneur, offers him a new kind of attraction: mixing theatrical artifices and historical reconstruction, this company offers his clients a chance to dive back into the era of their choice. Victor then chose to relive the most memorable week of his life: the one where, 40 years earlier, he met the great love.
La Belle Époque
The Girl on the Bridge
Patrice Leconte
Vanessa Paradis, Daniel Auteuil
It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.
The Girl on the Bridge
The Hairdresser's Husband
Patrice Leconte
Jean Rochefort, Anna Galiena
The film begins with a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however, we know he has fulfilled his childhood ambition, to marry a hairdresser.
The Hairdresser's Husband
Romantics Anonymous
Jean-Pierre Améris
Benoît Poelvoorde, Isabelle Carré
What happens when a man and a woman share a common passion? They fall in love. And this is what happens to Jean-René, the boss of a small chocolate factory, and Angélique, a gifted chocolate maker he has just hired. What occurs when a highly emotional man meets a highly emotional woman? They fall in love, and this is what occurs to Jean-René and Angélique who share the same handicap. But being pathologically timid does not make things easy for them. So whether they will manage to get together, join their solitudes and live happily ever after is a guessing matter.
Romantics Anonymous
Tangier Cop
Stephen Whittaker
Donald Sumpter, Pastora Vega
Yaasin, a policeman from Tangier who has almost become an alcoholic, spends most of his time in an exclusive brothel. Several characters arrive in the city at the same time: the millionaire Eric Burns; the German woman Eva Miller who, with her little daughter Gudrun, makes herself a living by doing frauds and small thefts; the smart gangster Rustum Wadi who is looking for a talisman that at that moment is in the hands of Andrews, a homosexual British collector. Yaasin is supposed to protect Burns, but when Andrew's corpse appears the case takes an unexpected turn.
Tangier Cop
Averills Ankommen
Michael Schottenberg
Andras Jones, Maria Bill
In this highly symbolic political allegory, Averill is traveling through a troubled countryside amid rumors of war to visit his father. He reaches a train station in a city which is paralyzed by a transportation strike and is forced to take lodgings in a bizarre, unattractive town populated by seemingly malformed individuals. After a while, he begins to try to woo a much older woman, and symbolic images of entrapment, imprisonment and erotic enticement mark his adventures in this regard.
The Arrival of Averill
Thank You, Life
Bertrand Blier
Charlotte Gainsbourg, Anouk Grinberg
Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.
Thank You, Life
The Perfume of Yvonne
Patrice Leconte
Jean-Pierre Marielle, Hippolyte Girardot
It is the summer of 1958 in wealthy Lake Geneva, where an enigmatic young Frenchman begins an affair with a beautiful starlet under the watchful eye of her flamboyant elderly mentor. But in a season full of secrets, is truth the most elusive passion of all?
The Perfume of Yvonne
The Red Collar
Jean Becker
Франсуа Клузе, Nicolas Duvauchelle
In 1919, in a small town under the crushing heat of summer, a war hero is held prisoner in an abandoned barracks. Outside, his mangy dog barks night and day. Not far off in the countryside, an extraordinarily intelligent young woman works the land, waiting and hoping. A judge whose principles have been sorely shaken by the war is coming to sort out this case of which it is better not to speak.
The Red Collar
Baxter, Vera Baxter
Marguerite Duras
Delphine Seyrig, Noëlle Châtelet
In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.
Baxter, Vera Baxter
Julie, chevalier de Maupin
Charlotte Brändström
Sarah Biasini, Pietro Sermonti
Agnès Dormes, a famous opera singer, saves Julie, a baby girl who was about to be sacrificed during a black mass. Twenty years later, the baby has turned into a beautiful energetic twenty-year-old young lady determined to find out about her origins. In Avignon, Julie manages to meet Agnès and discovers on the occasion she is not her real mother. A series of adventures will ensue and at a time Julie is nearly burned on the stake. But she eventually achieves her end and can marry, a street performer close to her heart.
Julie, chevalier de Maupin
Les fleurs du mal
Jean-Pierre Rawson
Antoine Duléry, Jean-Marie Lemaire
Charles Baudelaire was one of the giants of 19th-century French poetry, and he earned his position among that nation's luminaries through the poems in one slim volume, entitled Les Fleurs du Mal (Flowers of Evil). A perfectionist to the extreme, he struggled with every word of those few poems for many years before he consented to see them published. When he did, six of them were condemned by the state censors as obscene. It was surely a powerful blow to him to have such a significant part of his life's work so rudely suppressed. This courtroom drama follows him at the 1857 trial at which he defended his works. The filmmaker has chosen to symbolically re-enact certain poems about the love of a woman as they are being read for the court. It is easy to imagine that, as was certainly the case for the trial of Oscar Wilde in England, this courtroom trial was a form of punishment for his publicly dissolute lifestyle.
Les fleurs du mal