Paul Sloane
1893 - 1963Eve's Leaves
Paul Sloane
Leatrice Joy, William Boyd
After forming his own studio in 1925, Cecil B. DeMille produced this exuberant blend of orientalist melodrama and gender-bending comedy featuring his THE TEN COMMANDMENTS leading lady Leatrice Joy. An over-protective sea captain forces his daughter Eve to pass as a boy. But she craves romance and sets her sights on a handsome American tourist (Boyd) who still thinks she's a boy when she shanghais him aboard her father's ship; then a lustful Chinese pirate (Walter Long) takes them prisoner. Joy, an appealing comedienne whose career nosedived when talkies came in, sparkles in both her tomboy and love-hungry phases. -Martin Rubin, Gene Siskel Film Center
Eve's Leaves
The Coming of Amos
Paul Sloane
Rod La Rocque, Jetta Goudal
An Australian sheep rancher fulfills his promise to his dying mother by visiting his uncle on the French Riviera. He meets and falls in love with a Russian princess who was forced into a bad marriage to save her family from the Communists.
The Coming of Amos
The Shock Punch
Paul Sloane
Richard Dix, Frances Howard
Dan Savage prepares his son, Randall to fight in the business world by having him trained as a pugilist. Randall shows a flare for fisticuffs, so he is taken to the Ironworkers Ball to try out his infamous "shock punch."
The Shock Punch
Too Many Kisses
Paul Sloane
Richard Dix, Frances Howard
Wanting his son to get away from his many girlfriends and buckle down to work, the New York industrialist father of a playboy sends him to an obscure village in Spain to find samples of a rare mineral. When the son gets to Spain, he runs afoul of the local police chief - who has a secret that he tries to keep the young man from discovering.
Too Many Kisses
Made for Love
Paul Sloane
Leatrice Joy, Edmund Burns
A young woman visits her boyfriend, an archaeologist, at the site in Egypt where he is digging up ancient artifacts. Her frustration mounts when it appears that he is more interested in old bones and mummies than he is in the fact that she's traveled thousands of miles to see him. However, there are three men at the site who don't share her boyfriend's attitude towards her, and they make their intentions known.
Made for Love
The Woman Accused
Paul Sloane
Nancy Carroll, Cary Grant
Jeffrey and Glenda are two lovers about to embark on a three-day cruise to nowhere. Their plan is to be married on board by the ship's captain. As Glenda is packing to leave, she receives a threatening phone call from her obsessed, former lover Leo. Glenda confronts Leo and tells him that it's over. Leo, a high-powered attorney calls a hit man to have Jeffrey eliminated. Glenda knocks Leo over the head before he can give the hit man a name. Leo is dead. Glenda sneaks back into her apartment, goes off on the cruise with Jeffrey and pretends that all is swell. Leo's partner, Stephen Bessemer, suspects Glenda and follows her to the ship. Bessemer stages a mock trial aboard the ship and cleverly draws a confession from Glenda. Jeffrey, also an attorney, represents Glenda when she is arrested upon arriving on shore. A skeptical district attorney, and the fact that Jeffrey horsewhips the star witness (the hit man), combine to get Glenda completely off the hook.
The Woman Accused
The Clinging Vine
Paul Sloane
Leatrice Joy, Tom Moore
When a hardened businesswoman who goes by the initials A.B. overhears someone calling her an “Amazon” because of her butch ways, she agrees to a more “feminine” makeover. In the end she learns that no matter how she looks she’s still the smartest person in any room.
The Clinging Vine
A Man Must Live
Paul Sloane
Richard Dix, Jacqueline Logan
Jeff Farnell, forced by circumstances to take a job on a New York scandal sheet while he awaits the settlement of his claim against a steel company. Job Hardcastle, the hardened city editor of the paper, sends Jeff to get a story on "Mops" Collins, a society divorcée who has been reduced to dancing in a cabaret. Jeff takes pity on Mops, who is dying of consumption, and takes her into his apartment, telling Hardcastle that he could not find her. Afraid of losing his job, Jeff hunts for a big story, finding it when he discovers that Clive Ross-Fayne, a friend he thought lost in the war, has been arraigned on charges of narcotics peddling. (Pamela Short)
A Man Must Live