Grégoire Oestermann
2021
Nuit noire, 17 octobre 1961
Alain Tasma
Clotilde Courau, Thierry Fortineau
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
Nuit noire, 17 octobre 1961
La Vie sera belle
Edwin Baily
Esteban Carvajal-Alegria, Milan Mauger
Five young men from well-off families, whom fate never intended to be partisans in an occupied Paris, so different from one other and yet so close, reject the French defeat and resulting German occupation and decide to take on Nazi Germany.
Life Will Be Beautiful
Look at Me
Agnès Jaoui
Marilou Berry, Jean-Pierre Bacri
Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.
Look at Me
Ceux qui restent
Anne Le Ny
Vincent Lindon, Emmanuelle Devos
Bertrand dutifully visits his terminally ill wife every day, braving the long train and bus ride to and from the hospital. Lorraine not so willingly visits her boyfriend who was diagnosed with colon cancer. They bump into each other during one of their visits and begin to meet for coffee. Coffee turns into Lorraine offering to drive Bertrand to the train station and the two turn to each other in their time of grief and confusion.
Those Who Remain
I Do
Eric Lartigau
Alain Chabat, Bernadette Lafont
Life is easy for 43-year-old Luis, a happy single guy, fulfilled in his job of star nose with a perfume creation company, cosseted by his mother and five sisters. It could have lasted for a whole life, but fed up with mollycoddling and helping him, his mother and sisters decide it's time he got married, and the sooner the better!
I Do
Mon Cas
Manoel de Oliveira
Bulle Ogier, Axel Bogousslavsky
Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.
My Case
Blind Date
Clovis Cornillac
Clovis Cornillac, Mélanie Bernier
He invents puzzles. He’s committed body and soul to his work and needs silence to be able to concentrate. She is an accomplished pianist and can’t live without music. She must prepare for a competition that could change her life. They are going to be forced to coexist without seeing each other.
Blind Date
Les amours d'Anaïs
Charline Bourgeois-Tacquet
Anaïs Demoustier, Valeria Bruni‑Tedeschi
Anaïs is thirty and broke. She has a lover, but she’s not sure she loves him anymore. She meets Daniel, who immediately falls for her. But Daniel lives with Émilie – whom Anaïs also falls for.
Anaïs in Love
La vie domestique
Isabelle Czajka
Emmanuelle Devos, Julie Ferrier
Juliette was simply not sure about coming to live in this residential suburb of the greater Paris metropolitan area. All the women here are in their forties, have children to raise, houses to keep and husbands who return home late at night.Today she has an appointment in Paris that is important for her career, but she also has to run errands and pick up the kids from school. During the course of her day, monopolized by petty, everyday tasks, Juliette can feel the noose of domestic obligations and household chores slowly tightening around her neck.
Domestic Life
La malédiction de Provins
Olivier Doran
Anne Caillon, Thierry Neuvic
Renan Thomas, stage director and actor is stabbed when he is playing in The Legend of Knights, a medieval spectacle in Provins.Karin Demarle and her son are witnesses of this intent of murder committed by a disguised person. By chance the help comes soon and the life of Renan is safe. Patrick Robin and his ex-wife Karine Demarle will be in charge of this case of criminal investigation.
Murder in Provins
