Leci Brandão
2021Emicida: AmarElo - It's All for Yesterday
Fred Ouro Preto
Emicida, Fernanda Montenegro
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
Emicida: AmarElo - It's All for Yesterday
Lampião da Esquina
Lívia Perez, Noel Carvalho
João Silvério Trevisan, Luiz Carlos Lacerda
Inspired by the US paper “Gay Sunshine”, in April of 1978 appeared in Brazil – during the dictatorship – the newspaper “O Lampião”, depicting the point of view of gays on various issues, including sexuality. A group of journalists and writers from Rio de Janeiro and São Paulo joined the project, fueling a publication that paved the way for the press at the time, addressing controversial issues at the period, such as racism, abortion, drugs and prostitution.
Lampião da Esquina: Lighting Up Brazilian Press
O Samba
Georges Gachot
Martinho da Vila, Ney Matogrosso
In the Documentary The singer, composer, writer and bamba Martinho da Vila guides the viewer through the gigantic world of samba investigating the origins of the rhythm, highlighting its importance in different spheres, telling stories about his career and presenting his heart association, Grêmio Recreativo Samba School Unidos de Vila Isabel.
O Samba
De Cabral a George Floyd: Onde Arde o Fogo Sagrado da Liberdade
Paulinho Sacramento
Abdias do Nascimento, Rubem Confete
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
De Cabral a George Floyd: Onde Arde o Fogo Sagrado da Liberdade
