Kenneth Anger
1927 (98 лет)Anger has described filmmakers such as Auguste and Louis Lumière and Georges Méliès as influences, and has been cited as an important influence on later film directors like Martin Scorsese, David Lynch and John Waters.He has also been described as having "a profound impact on the work of many other filmmakers and artists, as well as on music video as an emergent art form using dream sequence, dance, fantasy, and narrative." During the 1960s and 70s he associated and worked with a number of different figures in popular culture and the occult, including Church of Satan founder Anton LaVey, sexologist Alfred Kinsey, artist Jean Cocteau, playwright Tennessee Williams and musicians Mick Jagger, Keith Richards, Jimmy Page and Marianne Faithfull. He is also the author of the controversial best seller Hollywood Babylon (1959) and its sequel Hollywood Babylon II (1986), in which he claims to expose many of the rumours and secrets of Hollywood celebrities.
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Kenneth Anger - Magier des Untergrundfilms
Reinhold E. Thiel
Kenneth Anger
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
Kenneth Anger: Film as Magical Ritual
The Inauguration of the Pleasure Dome
Kenneth Anger
Samson De Brier, Marjorie Cameron
Lord Shiva wakes. A convocation of magicians in the guise of figures from mythology; a masquerade party at which Pan is the prize. The wine of Hecate is poured: Pan's cup is poisoned by Shiva. Kali blesses the assembly as a bacchic rite ensues.
The Inauguration of the Pleasure Dome
Eaux d'artifice
Kenneth Anger
Carmilla Salvatorelli
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's Winter movement of The Four Seasons plays. Heavy red filters give a blue cast to the light; water plays across stone, and fountains send it into the air. No words are spoken. Baroque statuary and the sensuous flow of water are back lit. Anger calls it water games.
Eaux d'artifice
Prisoner of Mars
Kenneth Anger
Kenneth Anger
Kenneth Anger plays a "chosen adolescent" who is elected to be sent on a trip to Mars in a rocket. He awakes in a Martian maze only to find that he not the first to arrive from Earth, as evidenced by the human bones littered about. Although circulated on 16 mm through 1967, Anger then withdrew Prisoner of Mars. It is possible that the film no longer exists, but it may be among a few extant titles that Anger has stated he prefers not to show. This science-fiction drama was particularly interesting, as it was a structured as a serial chapter, and made use of miniatures and models.
Prisoner of Mars
The 1000 Eyes of Dr Maddin
Yves Montmayeur
Guy Maddin, Stephen Quay
Guy Maddin, who has been nicknamed the Canadian David Lynch, is undoubtedly one of the last remaining Magi of cinema. Despite living in the middle of the digital age, this heretical director hailing from the snowy plains of Canada has spent 25 years transposing the uncommon and the uncanny onto screens over-saturated with naturalistic imagery. A lover of primitive cinema, he has cunningly summoned the light-and-shadow techniques and experimentations of the Golden Age of film to resuscitate a unique cinematographic language which plays with the spectator’s unconscious by means of visual trickery as disturbing as it is absurd. In an attitude as playful at that Maddin’s films this documentary follows the mediumistic experiments of this master of illusion, filmed during the ‘’spirit’’ shootings he presented in Europe.
The 1000 Eyes of Dr Maddin