Tuychi Aripov
2021 - 2015Окончил Ташкентский театрально-художественный институт в 1953 году. Выступал на сцене Узбекского театра драмы им. Хамзы. Среди ролей: «Кутлуг кон» (Хакимбойвачча), «Бой ила хизматчи” (Солихбой), «Келинлар кузголони» (Махкам) , «Абу Райхон Беруний» (Махмуд Газнави), «Киёмат карз» (Нуъмон Назаров), «Гариблар» (Левицкий), «Юлдузли тунлар» (Шайбонийхон).
Умер в 2015 году в Ташкенте.
Абдулладжан, или Посвящается Стивену Спилбергу
Zulfikar Musakov
Rudzhab Adashev, Tuychi Aripov
Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
Abdulladzhan, or Dedicated to Steven Spielberg
