Jeanne Moreau
1928 - 2017She made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. She began playing small roles in films in 1949 and eventually achieved prominence as the star of Lift to the Scaffold (UK)/Elevator to the Gallows (USA) (1958), directed by Louis Malle, and Jules et Jim (1962), directed by François Truffaut. Most prolific during the 1960s, Moreau continued to appear in films until her death in 2017, at the age of 89.
Moreau was the recipient of a César Award for Best Actress, a BAFTA Award for Best Foreign Actress and a Cannes Film Festival Best Actress Award for individual performances, and several lifetime awards.
Arena: The Orson Welles Story
Orson Welles, Peter Bogdanovich
Biography Documentary hosted by Leslie Megahey, published by BBC broadcasted as part of BBC Arena series in 1982 - English narration Two-part film profile of Orson Welles, looking at his life and career in theatre, radio and particularly film. Part 1. With Jeanne Moreau, John Huston, Peter Bogdanovitch, Robert Wise, Charlton Heston, and a detailed interview with Welles himself. This part deals with his work up to Touch of Evil. Part 2. Second of a two-part profile of Orson Welles, looking at films including The Trial, Chimes at Midnight, The Immortal Story and F for Fake and discussing his many unfinished projects, including The Other Side of the Wind and Don Quixote.
Arena: The Orson Welles Story
Druga strana Wellesa
Leon Rizmaul, Daniel Rafaelić
Orson Welles, Alma Prica
Film The Other Side of Welles portrays the life, work and intellectual heritage of Orson Welles in Yugoslavian federal unit "Socialist Republic of Croatia". Through the period of 25 years, he appeared as actor in several co productions made in Croatia (David and Goliath, Tartars, Austerlitz) - acted in few Yugoslavian film (Battle of Neretva, The Secret of Nicola Tesla) and directed two of his own film: The Trial and The Deep. As a Hollywood maverick, in Croatia he often found his shelter. Through the never before seen archive materials and the interviews with the people who worked with him, directors of this film, in the 90th anniversary of his birth and 20th of his passing, reveal the other side of Orson Welles
The Other Side of Welles
Les Quatre Cents Coups
François Truffaut
Jean-Pierre Léaud, Claire Maurier
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
The 400 Blows
Final Cut: Ladies and Gentlemen
György Pálfi
Brigitte Bardot, Alain Delon
A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.
Final Cut: Ladies and Gentlemen
Undergångens arkitektur
Peter Cohen
Rolf Arsenius, Bruno Ganz
Featuring never-before-seen film footage of Adolf Hitler and the Nazi regime, The Architecture of Doom captures the inner workings of the Third Reich and illuminates the Nazi aesthetic in art, architecture and popular culture. From Nazi party rallies to the final days inside Hitler's bunker, this sensational film shows how Adolf Hitler rose from being a failed artist to creating a world of ponderous kitsch and horrifying terror. Hitler worshipped ancient Rome and Greece, and dreamed of a new Golden Age of classical art and monumental architecture, populated by beautiful, patriotic Aryans. Degenerated artists and inferior races had no place in his lurid fantasy. As this riveting film shows, the Nazis went from banning the art of modernists like Picasso to forced euthanasia of the retarded and sick, and finally to the persecution of homosexuals and the extermination of the Jews.
The Architecture of Doom
Ashes and Snow
Gregory Colbert
Лоуренс Фишборн, Ken Watanabe
Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.
Ashes and Snow
Lillian Gish
Jeanne Moreau
Lillian Gish, Jeanne Moreau
New York, summer 1983. Jeanne Moreau goes to meet Lillian Gish to film a portrait of her. The star of American silent films invites her to her apartment and discusses her career from its beginnings on film in 1912. She remembers the conditions on stage when she was a child, the first Hollywood blockbuster, D. W. Griffith's Birth of a Nation (1915), and her passion for cinema guided by an inexhaustible curiosity.
Lillian Gish
The Fire Within
Louis Malle
Maurice Ronet, Léna Skerla
Although his alcoholism has been treated, Alain still feels he is deeply unwell and does not feel he can leave the detoxification clinic once and for all. His wife, living in New York, continues to pay for his treatment, but no longer contacts him directly. He intends to commit suicide, but first takes a ride to Paris to catch up with old friends.
The Fire Within
The Train
John Frankenheimer
Burt Lancaster, Paul Scofield
As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France's greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory.
The Train
Touchez pas au grisbi
Jacques Becker
Jean Gabin, René Dary
Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.
Touchez Pas au Grisbi
