Jaimz Asmundson

The Magus

Jaimz Asmundson

Graham Asmundson, Kyle Fehr

The Magus is a multi-format, process-based experimental film that explores the root of artistic creation. The film documents visual artist, C. Graham Asmundson's body of work over a rigorous six-month period.

Citizens Against Basswood

Karen Asmundson, Jaimz Asmundson

This comic documentary is comprised of found audio of concerned citizens rallying to prevent the nuisance of new trees scheduled to be planted on their block in the 1980s.

Cannibalism: A New Taste in Style

David Zellis

Millie Lewis, Edward Sutton

In the near future ceilings have been replaced by omnipresent TV's. In the mass media Cannibalism is being hyped as the latest trend in people's day to day lives. Ma, Pa and Wilberforce are your typical North American family. They are obese, over consuming and have a big screen TV on their kitchen ceiling. Life doesn't change much for this family unit, Pa goes to his job at the meat shop, Ma works her dead end job and lately Wilberforce has been staying at home because he is sick. However, when Wilberforce suggests eating Pa for dinner ALL HELL BREAKS LOOSE.

Parasite

David Zellis

Jaimz Asmundson, Kirt Bobbi

Jock Van Rysell is a middle age psychiatrist on the verge of a nervous breakdown. When a parasitic male patient of his interrupts his comfortable life, his sanity is literally flushed down the toilet.

Attack of the 50 Foot Chihuahuas from Outer Space

Jaimz Asmundson

Giant chihuahuas arrive on Earth to cause havoc and destruction

Magus(re)Genesis

Jaimz Asmundson

Magus(re)Genesis is a collaborative film and music performance piece by filmmaker, Jaimz Asmundson and musician, Jeremy Pillipow. The performance deconstructs their two previous film collaborations (Drawing Genesis and The Magus) into an improvised, live multi-channel, full-dimensional experience.

Echoes

Jaimz Asmundson

Structured around the recollection of a premonitory dream, fragmented memories from the period leading up to the death of the filmmaker’s mother were projected on to natural textures and surfaces, re-photographed, composited and processed until the memories became abstracted representations of the evolution, degradation and disintegration of memory and the physical self.