Lupita Tovar
1910 - 2016
Cinema's Exiles: From Hitler to Hollywood
Karen Thomas
Сигурни Уивер, Marlene Dietrich
Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.
Cinema's Exiles: From Hitler to Hollywood
The Westerner
William Wyler
Gary Cooper, Walter Brennan
Drifter Cole Harden is accused of stealing a horse and faces hanging by self-appointed Judge Roy Bean, but Harden manages to talk his way out of it by claiming to be a friend of stage star Lillie Langtry, with whom the judge is obsessed, even though he has never met her. Tensions rise when Harden comes to the defense of a group of struggling homesteaders who Judge Bean is trying to drive away.
The Westerner
Drácula
George Melford, Enrique Tovar Ávalos
Carlos Villarías, Lupita Tovar
At midnight on Walpurgis Night, an English clerk, Renfield, arrives at Count Dracula's castle in the Carpathian Mountains. After signing papers to take over a ruined abbey near London, Dracula drives Renfield mad and commands obedience. Renfield escorts the boxed count on a death ship to London. From there, the Count is introduced into the society of his neighbor, Dr. Seward, who runs an asylum. Dracula makes short work of family friend Lucia Weston, then begins his assault on Eva Seward, the doctor's daughter. A visiting expert in the occult, Van Helsing, recognizes Dracula for who he is, and there begins a battle for Eva's body and soul.
Drácula
Santa
Antonio Moreno
Lupita Tovar, Carlos Orellana
Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipólito.
Santa
María
Chano Urueta
Lupita Tovar, Rodolfo Landa
The story narrates the idyllic and tragic love between María and her cousin Efraín, both natives of Valle del Cauca. In the middle of a romantic and bucolic landscape, the young characters fall in love with each other but circumstances prevent the full realization of their love.
María
Hedy Lamarr: Secrets of a Hollywood Star
Barbara Obermaier, Fosco Dubini
Hedy Lamarr, Jan-Christopher Horak
"Secrets of a Hollywood Star" is another documentary made after "Calling Hedy Lamarr" in 2006. It features interviews with Hedy's friends in both Europe and Hollywood and her film/studio partners.
Hedy Lamarr: Secrets of a Hollywood Star
Gun to Gun
D. Ross Lederman
Robert Shayne, Lupita Tovar
Don Diego is a large ranch owner, the uncle of Dolores and the guardian of a young American, Steve Randall. Steve has just delivered a large herd of cattle to the ranch, where Don Diego has just found out that he must pay the local tax commissioner, Harkness a fine for unpaid taxes on a herd of over one-thousand cattle. Steve offers to drive the cattle to the commissioners office, even though he fells the fine is unjust. Arriving at the office, Steve learns that Harkness (who he has never met), who has a reputation for dishonesty, is out. Dropping by the cantina, Steve gets into a fight with Harkness, and Harkness swears vengeance on Steve, especially after Steve stampedes the cattle through the town.
Gun to Gun
