
Jadwiga Colonna-Walewska
2021Biały mazur
Wanda Jakubowska
Tomasz Grochoczyński, Anna Chodakowska
A film about the life and activities of the Polish revolutionary Ludwik Waryński. In his memoirs, Ludwik returns to his student years in St. Petersburg, to Warsaw, to Krakow, where he was arrested and put on trial. After the end of the process in Krakow, Waryński leaves for Geneva, where he meets with Russian revolutionaries. In 1881, he returned to his homeland and created the first party of workers in Poland...
The White Mazurka
Camouflage
Krzysztof Zanussi
Piotr Garlicki, Zbigniew Zapasiewicz
A group of students are spending the summer vacation at a university camp studying the science of linguistics. One of the camp directors, Jaroslaw, is a young professor who prefers the straightforward, intimate approach to students. He is opposed in his liberal views by Jakub, who likes to manipulate people. There is a confrontation from the beginning when Jaroslaw allows to attend the seminar a student who presents the views not according to the official line. In the end, a jury prize is given to mediocre paper, while the suspected school of thought still draws a recommendation. Finally the deputy rector arrives for the closing ceremonies, and since he disfavors the line of thought awarded by the recommendation the tensions rise. They climax when student in question bites the rector in the ear while receiving recommendation. The confrontation results in a scandal and the police is called in.
Camouflage
Illumination
Krzysztof Zanussi
Stanislaw Latallo, Małgorzata Pritulak
Krzysztof Zanussi's groundbreaking film chronicles a decade in the life of a young physics student whose absolute faith in the primacy of rationality and science is shaken by tragedy and affairs of the heart.
Illumination
Kontrakt
Krzysztof Zanussi
Maja Komorowska, Tadeusz Łomnicki
Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.
The Contract