Jeanie Macpherson
1886 - 1946A Corner in Wheat
D. W. Griffith
Frank Powell, Grace Henderson
On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.
A Corner in Wheat
The Captive
Cecil B. DeMille
Blanche Sweet, House Peters
Set during the Balkan Wars, The Captive tells the story of Sonia, a young woman living in Montenegro and left to care for her younger brother Milos and the family farm when older brother Marko goes off to battle. Unable to handle the day-to-day tasks following her brother’s tragic death, help comes in the form of Mahmud Hassan, a captured Turk nobleman, now a prisoner of war. Tasked with helping Sonia, their initial frosty relationship soon melts into love. As the war rages on Sonia, Mahmud and Milos will face near-insurmountable obstacles in their quest for a better life amidst the hell of war.
The Captive
Carmen
Cecil B. DeMille
Geraldine Farrar, Wallace Reid
Hot-blooded gypsy Carmen attempts to seduce Don Jose, a lawman sent to thwart a gang of illegal smugglers in Spain. Carmen's plan backfires when Don Jose's passion for the gypsy girl escalates into a jealous rage as she spurns him for her bullfighter beau, Escamillo, with tragic results.
Carmen
The Merchant of Venice
Lois Weber, Phillips Smalley
Phillips Smalley, Lois Weber
A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.
The Merchant of Venice
Money Mad
D. W. Griffith
Charles Inslee, George Gebhardt
The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.
Money Mad
Mr. Jones at the Ball
D. W. Griffith
John R. Cumpson, Florence Lawrence
Mr. Jones at the Ball is a 1908 American silent short comedy film, part of the once-popular Biograph series centered around the titular Jones and his long-suffering wife. In this film, Jones rips his suit pants and chaos ensues.
Mr. Jones at the Ball
The Curtain Pole
Mack Sennett, D. W. Griffith
Mack Sennett, Harry Solter
An upper class drawing room. A gentleman breaks the curtain pole and goes in search of a replacement, but he stops into a pub first. He buys a very long pole, and causes havoc everywhere he passes, accumulating an ever-growing entourage chasing him, until he escapes them through a bit of movie magic, only to discover that the pole has already been replaced.
The Curtain Pole
A Salutary Lesson
D. W. Griffith
Charles West, Stephanie Longfellow
During a stay at beach resort Mr. and Mrs. Randall neglect their daughter and follow their own interests. Mrs. Randall entertains the local minister, while Mr. Randall agrees to take his daughter on a walk along the beach. However, he is attracted by a flirtatious young woman, and the little girl wanders off on her own. She clambers onto a seaside rock where she falls asleep, unmindful of the incoming tide. Her parents at last notice her absence and begin searching for her. However, the incoming tide has by this time surrounded her rock, cutting her off from land. A lifeguard hears her cries and swims to the rescue just as the rising tide is about to engulf her. The child is returned to her parents, who receive from their near tragedy a salutary lesson in the importance of being more careful parents.
A Salutary Lesson
To Save Her Soul
D. W. Griffith
Mary Pickford, Arthur V. Johnson
Agnes, a singer in a country church, is practicing one day when a vaudeville manager hears her and offers her a job. Over the objections of the curate who loves her, she accepts the offer and goes to the city. Later the curate goes to hear Agnes perform and, fearing that her soul is being corrupted by show business, he asks her to return to the small town with him. When she refuses, he is prepared to kill her in order to protect the purity of her soul. This brings about her change of heart, and together they return to the little church.
To Save Her Soul
The Fatal Hour
D. W. Griffith
George Gebhardt, Harry Solter
This one-reeler has been regarded as a classic example of a Griffith thriller. It engages with the Chinese White slave traffic from the perspective of a female detective, played by Marion Leonard, whose assignment is to expose and break the traffic ring. A fragment is widely available.
The Fatal Hour
The Peachbasket Hat
D. W. Griffith
John R. Cumpson, Florence Lawrence
Mrs. Jones leaves her baby with the maid and goes shopping for a new hat. Meanwhile, the maid invites a band of gypsies into the house for a palm reading. After the gypsies leave, no one can find the baby, and everyone assumes it's been kidnapped-- until the baby is found under a hatbox.
The Peachbasket Hat
A Sweet Revenge
D. W. Griffith
Arthur V. Johnson, Marion Leonard
After being jilted for another, a woman sends her lover's old letters to the new fiancée and looks forward to the reaction. But when she spots her old lover's glove left behind, she has a change of heart and repents.
A Sweet Revenge