Sérgio Santeiro

O Guesa

Sérgio Santeiro

Ferreira Gullar

"Life and work of the Maranhense poet Sousândrade (1833-1902), illustrated with engravings on Brazilian history, from the discovery to the proclamation of the Republic."

Ismael Nery

Sérgio Santeiro

Documentary about the painter Ismael Nery, which intersperses daily street scenes with paintings by the artist, under the narration of his 1931 Post-Essencialista poem.

Klaxon

Sérgio Santeiro

Hugo Carvana, Gustavo Dahl

It is the magazine that continues the Modern Art Week of 22.

Viagem Pelo Interior Paulista

Sérgio Santeiro

Paulo José

"A view of São Paulo's rural architecture, from the remains of a sugar mill from the 1500s to a farm at the height of the coffee cycle in 1822. Documentary illustrating Morada Paulista, book by Luis Saia". (ACPJ/CCM)

Blablablá

Andrea Tonacci

Paulo Gracindo, Irma Álvarez

The tensions experienced by three different people during the military dictatorship in Brazil: a politician, a revolutionary and a common citizen.

Universidade Fluminense

Sérgio Santeiro

Documentary about UFF on the occasion of the 15th anniversary of its foundation.

Paixão

Sérgio Santeiro

José Wilker

Parable about the 1964 military coup in Brazil, where three characters unite through the exercise of the word.

Santeiro 3D

Zaga Martelletto

Sérgio Santeiro

Humor Amargo

Sérgio Santeiro

Hugo Carvana, Paulo José

Set of carioca sketches.

Primeiros Cantos

Sérgio Santeiro

O Segredo da Múmia

Ivan Cardoso

Wilson Grey, Anselmo Vasconcelos

Laughed at when he announced the discovery of the elixer of life, Brazilian scientist Expedito Vitus ends up making the most important archaeological discovery of the century: the tomb of Runamb, the Mummy, in the sands of Egypt. Back in Brazil, he brings the Mummy back to life.

Palhaços

Andy Malafaia

Fred Demarca, Sérgio Santeiro

Isto é Brasil

Sérgio Santeiro

Otávio Müller, Ingrid Vorsatz

doc.Santeiro

Miguel Freire

Sérgio Santeiro

Encontro com Prestes

Sérgio Santeiro

Luís Carlos Prestes

Prestes on May 1, 1987 at an event held by CUT in São Paulo.

Olho no Olho

Sérgio Santeiro, Sérgio Péo

Criticism of renowned filmmakers to the boycott of the 1976 Law that regulated the exhibition of short films in commercial movie theaters in Brazil. The success of the result of this Law fostered the production of films in this category that were very well received by the public. Olho no Olho is a denunciation of the colonialist power that strangles the national audiovisual media and aims to reformat the world in its image.