Robert G. Vignola
1882 - 1953Robert G. Vignola (born Rocco Giuseppe Vignola, August 5, 1882 – October 25, 1953) was an Italian-born American actor, screenwriter and film director in American cinema. One of the silent screen's most prolific directors, he made a handful of sound films in the early years of talkies but his career essentially ended in the silent era. Born at Trivigno, in the province of Potenza, Vignola left Italy with his family at the age of 3 and was raised in upstate New York. He made his acting debut at 19 performing in "Romeo and Juliet", with Eleanor Robson Belmont and Kyrle Bellew.
He began his film career as an actor in 1906 with the short film The Black Hand, directed by Wallace McCutcheon and produced by Biograph Company, generally considered the film that launched the mafia genre. In 1907 he joined Kalem Studios, for which he made numerous movies. One of Vignola's most notable film roles was as Judas Iscariot in From the Manger to the Cross (1912), directed by Sidney Olcott, one of the most successful films of the period.
Vignola directed 87 films, most notably The Vampire (1913), sometimes cited as the first "vamp" movie, and Seventeen (1916), where Rudolph Valentino did an uncredited cameo. He had a long association directing the early movies of Pauline Frederick such as Audrey (1916) and Double Crossed (1917).
His biggest success was the big-budget epic When Knighthood Was in Flower (1922), starring Marion Davies, which achieved critical and commercial acclaim. Other films include Déclassée (1925), with the uncredited appearance of the then unknown Clark Gable; Broken Dreams (1933), which received a nomination for Best Foreign Film at the Venice Film Festival, and The Scarlet Letter (1934), the last film of Colleen Moore.
Vignola died in Hollywood, California in 1953. He lived in a mansion at Whitley Heights owned by William Randolph Hearst. Hearst's mistress Marion Davies was allowed to stay without him at Vignola's mansion, worried that she was having affairs and considering Vignola a trusted companion for her as he was homosexual.
He was buried in St. Agnes Cemetery, Menands, New York.
The Fiddler’s Requiem
Sidney Olcott
J.J. Clark, Gene Gauntier
The old musician playing his fiddle in his garret home dreams of his youth and his lost love. As the past unfolds itself he sees his sweetheart, Dolores, forced by her parents to sign a contract of marriage with Don Carlos, and he again reads over in memory her message of farewell: "My on Love, This is my marriage ever, the death day of my soul. I cannot go without one last farewell to you, whom I will never see again. Wait for ma by the lake until you hear the bells chime. Yours in spirit until death, Dolores." Meeting her at the lake as requested, she gives him her old violin, saying, "I have breathed my soul into this violin. Whene'er it plays, it is my soul that speaks."
The Fiddler’s Requiem
Married Flirts
Robert G. Vignola
Pauline Frederick, Conrad Nagel
Nelly is so intent on her writing career, that she neglects her appearance and her husband, Wayne. Jill Wetherell, who is looking for a rich husband, finds Wayne to be easy prey and Nelly catches them together. She divorces Wayne and travels to Europe. Jill, however, throws Wayne over for Perley Rex.
Married Flirts
Yolanda
Robert G. Vignola
Marion Davies, Lyn Harding
The backdrop is fifteenth century France, and Charles, Duke of Burgundy has promised his daughter, Princess Mary, that she can marry the man she loves, Prince Maximilian of Styria. But when the Swiss threaten war, the duke is compelled to take back his word and he arranges for Mary to wed the half-witted dauphin of France's King Louis XI .
Yolanda
Seventeen
Robert G. Vignola
Louise Huff, Jack Pickford
Seventeen year old William Sylvanus Baxter has fallen madly in love with young coquette, Lola Pratt. After spending all of his money on the fickle girl, she runs off with an older man. William now heartbroken, contemplates suicide, until a friend from childhood, May Parcher, pays a visit and William decides to fall in love with her.
Seventeen
Straight Is the Way
Robert G. Vignola
Matt Moore, Mabel Bert
Bob Carter and "Loot" Follet, are two thieves who locate themselves in the unused part of the New Hampshire home of Aunt Mehitable and her niece Dorcas. Loan shark Jonathan Squoggs presses Mehitable for payment of the mortgage, and the two crooks decide to help the ladies when they consult their Ouija board to find a hidden treasure. Finding the treasure reveals a surprise thief and a chance for new lives for the crooks, Dorcas, and Mehitable.
Straight Is the Way
When Knighthood Was in Flower
Robert G. Vignola
Marion Davies, Forrest Stanley
Mary Tudor falls in love with a new arrival to court, Charles Brandon. She convinces her brother King Henry VIII to make him his Captain of the Guard. Meanwhile, Henry is determined to marry her off to the aging King Louis XII of France as part of a peace agreement.
When Knighthood Was in Flower
Déclassé
Robert G. Vignola
Lloyd Hughes, Corinne Griffith
The last of the impetuous Varicks, Lady Helen Haden is married to Sir Bruce Haden, a brute who treats her shamefully. She falls in love with Ned Thayer, a young American, but refuses to divorce her husband because of the attendant scandal and disgrace. Sir Bruce gains possession of a love letter written to Ned by Lady Helen and divorces her. Ned goes to Africa, and Lady Helen comes to the United States, where she encounters Rudolph Solomon, an art collector who wants her to become his mistress. The noblewoman at first refuses, but when her money runs out, she agrees to the proposal and attends a party at his home. Ned, who has learned of the divorce, comes looking for Helen and meets her at Solomon's party. Lady Helen is so humiliated and ashamed that she rushes from the house and throws herself in front of an automobile.
Déclassé
Beauty's Worth
Robert G. Vignola
Marion Davies, Forrest Stanley
Prudence Cole is an unsophisticated Quaker girl being raised by her two aunts. Prudence is flirted with by snobbish Henry Garrison, who actually disdains the girl for her lack of worldliness and savoir faire. When Henry and his friends try to embarrass her at a posh resort, Prudence turns the tables on them.
Beauty's Worth
