Tetsuya Mariko
1981 (43 года)
イエローキッド
Tetsuya Mariko
Kaname Endô, Ryo Iwase
Fired from his part-time job in a restaurant kitchen for absenteeism, rookie boxer Tamura has a lot to be angry and frustrated about in his life. But things start to change when he’s approached at the gym by the artist Hattori, who wants to use him as the new model for the manga character Yellow Kid. Yellow Kid first appeared in an American comic in the late 19th century, and Hattori revived him as an older character a century later.
Yellow Kid
Mariko sanjuuki
Tetsuya Mariko
While writing his final paper at university, Tetsuya Mariko finds out he is a descendant of pirates. He then dresses as a pirate, gathers some other 30 pirates around him and starts a campaign against the university, which is attempting to tear down a building he has grown fond of.
Mariko's 30 Pirates
NINIFUNI
Tetsuya Mariko
Kanako Momota, Shiori Tamai
Tanaka, a man lives in the countryside, breaks into a game arcade with his friend Kato, rob the safe and runs away with the store owner's car. After straying on a highway route, he finally ends up a lonesome beach. A few days later, the idol group Momoiro Clover, visits the beach for their music video shoot, and find his car in the bush. The film takes its inspiration from a real-life case of a young man who kills himself after being involved in a violent robbery.
NINIFUNI
ラッシュライフ
Tomoko Toyama, Tadashi Nohara
Масато Сакаи, Shinobu Terajima
The story involves an aloof thief, a young man who turns to God after his father’s suicide, a manipulative marriage councilor, a man who recently lost his job, and several others whose lives become intertwined in various unexpected ways.
A Lush Life
MAYDAY
Tetsuya Mariko
A detective is led by an accidental postcard to investigate an incident at USFK base Camp Long. Camp Long is in ruins with no one coming for twenty years. In the process of gathering, defragmenting, and arranging neglected information, the detective discovers that a strange geographic data value called Camp Long ATM occupies all space and time. However, there are no traces of any ATMs or banks at the scene, and only bright red bloodstains are disguised as evidence. The film is a mystery report of a detective trying to understand the legacy of time.
MAYDAY
