Nikos Alevras

The Reason Why

Tasos Psarras

Mihalis Bogiaridis, Stelios Kapatos

Michalis returns to the tobacco growers of his rural village after having spent some time in the city and persuades them to form a collective, rather than suffer the poverty-inducing prices they are paid for their crops by tobacco brokers. They agree not to sell to any of the brokers and start to form a farmers' group. When one of the farmers breaks the agreement and is found dead, Michalis is accused. However, rather than expose the farmers' plight and give publicity to the brokers' greed, the motive the government gives for the killing is thi asimanton aformin, for unimportant reasons.

Αναπαράσταση

Theo Angelopoulos

Toula Stathopoulou, Yannis Totsikas

A magistrate reconstructs the murder of Costas Ghoussis, a labourer who was killed by his wife and her lover.

Όνειρο αριστερής νύχτας

Nikos Kalogeropoulos, Dinos Katsouridis

Nikos Kalogeropoulos, Vasilis Tsipidis

A left-wing ideologist reaches the limits of suicide, experiencing a deep crisis. He tries to write a book about everything that once existed, but has changed today. Everything around him seems distant. The friends, the family, the Party from which he withdrew. His hope for a different future is virtually dead.

Η Χρυσομαλλούσα

Adonis Lykouresis, Tony Lycouressis

Vera Krouska, Adonis Katsaris

Πέφτουν οι σφαίρες σαν το χαλάζι κι ο τραυματισμένος καλλιτέχνης αναστενάζει

Nikos Alevras

Litsa Gerardou, Nikos Alevras

A sarcastic, improvisational film, with anarchic origins, strongly cinephile flavor, and largely autobiographical in nature and content. A film director strives to escape alienation, while, at the same time, expressing his intense feelings for his wife, cinema and Greece during the restoration of democracy.

Chrissomaloussa

Adonis Lykouresis, Tony Lycouressis

Vera Krouska, Adonis Katsaris

Antonis Katsaris stars as a teacher in the small village of Zante who fights the growing desire of many locals to abandon the village for the big city or other countries. He works hard to organize traditional cultural events, such as outdoor performances of the traditional play I Chrissomalloussa, in order to solidify local values and a sense of identity. The teacher is aided by a young woman, a widow who has just returned from Germany and lives with her father-in-law. Kazan walks away with the film, as his sinister desires for his daughter-in-law are inflamed when he sees that she has fallen in love with the teacher. These developments lead him to whip up protests against the play by conservative locals, claiming that the teacher has changed the traditional story by adding elements of propaganda with the potential of causing peasant uprisings. The result is an unexpectedly violent example of social censorship.