Manuela de Laborde
2021Liminal
Philippe Grandrieux, Óscar Enríquez
A FICUNAM commission for four directors, Liminal seeks to play with poetic affinities between film and music. Moving across aesthetic and generational differences, the film-makers explore this relationship through four distinct stories as to context and imaginary.
Liminal
Ficciones
Manuela de Laborde
Ficciones is a spell that conjures representations as if imagined from the perspective of the plant world, that which invents prior to consciousness, as a thinking before thinking (M. Marder). Ceramic sculptures were gardened for a year letting plant life grow on them as their skin. Four super-8 cameras were made into a mobile, thereby also filming the process and its shared motion. To embrace the filmed material as a fictional construction, it was optically printed and altered; to accompany the notion of the sculptures as possible chests, containers of heart, vocal sounds were recorded with Camila de Laborde and weaved into the film.
Fictions
En la Era
Manuela de Laborde
Sarochinee Wongchotsathit, Jun Wei Koh
Abstract 16mm work documenting a group of artists immersed in the jungle among the surreal constructions of Edward James while creating sculptural works of their own. A diptych of the filmmakers' subjective style, it uses colour and black-and-white to create two separate dreamlike and fragmented expressions of a single event.
In the Era
As Without So Within
Manuela de Laborde
Manuela de Laborde's experimental film, 'As Without So Within', explores the possibility that the surface of things is an entity worthy of is own depth for itself and in itself, demanding to be seen and confronted as such. The project accepted what is visual as emotion the moment the images were created with a focus on the sensorial.
As Without So Within