Xue Gong
1953 (72 года)Visions Cinema: Cinema in China - An Account by Tony Rayns
Ron Orders
Tony Rayns, Sun Yu
History of filmmaking in China from its beginnings in the 1920s to 1982, featuring Shanghai cinema of 1930s; the progressive filmmakers; the organisation of filmmaking under the post-war communist government; the impact of the Cultural Revolution; the work of Xie Jin.
Visions Cinema: Cinema in China - An Account by Tony Rayns
Duo cai de chen guang
Yusheng Jiang
Xue Gong, Zhang Tielin
During their school days, Yanling and Lishuang are lovers. However, Yanling's father, who is the director of the Education Bureau, feels that Lishuang is not worthy of becoming his son-in-law. To separate the lovers the father sends Yanling to be a teacher in a island. There Yanling meets Shuijian, also a teacher there. At the same time, Lishuang had already engaged with Ding Langmei, a childhood sweetheart in her hometown. After realizing her father is not the respected figure she once though, Yanling decides to stay on the island to teach.
The Colorful Dawn
Under the Bridge
Chen Bai
Xue Gong, Zhang Tielin
This simple romance story does not mean much to westerners, and in fact, does not even mean anything to Chinese today, but it was a big thing when it was made, not long after the end of Cultural Revolution in which even the personal romance was restricted. This movie is one of the pioneers of personal liberalization in advocating people seeking out their love following their own hearts, not from other people.
Under the Bridge
