
Nazmiye Oral
1969 (56 лет)Just Friends
Annemarie van de Mond
Majd Mardo, Josha Stradowski
On the 10th anniversary of his dad’s death, Joris still tries to come to terms with his father’s absence when he meets the free-spirited Yad, who returns back home to his family after living on his own. Although very different, there is an instant spark between the two and they want to be more than “just friends”, but both have issues with their mothers that threaten to jeopardise their relationship.
Just Friends
Propaganda
Sinan Çetin
Metin Akpınar, Kemal Sunal
Based on a true story set in 1948, customs officer Mehti is faced with the duty of formally setting up the border between Turkey and Syria, dividing his hometown. He is unaware of the pain that will eminently unfold, as families, languages, cultures and lovers are both ripped apart and clash head on in a village once united.
Propaganda
Undercover
Boris Paval Conen
Meral Polat, Nasrdin Dchar
Young female police officer Nurgül Özdemir lives her life in a rural environment. When she gets asked for an undercover mission in Amsterdam, she grabs the opportunity to get out of the problems this place is giving her. She leaves her homesick father and dependent mother behind in an attempt to find out what she really wants with her life. In Amsterdam Nurgül gets to play a key role in the exposure of a drugdealer and learns what it is to be an undercover agent. During the mission, she finds out the secrets about her long lost brother and discovers the real reason why she was sent to Amsterdam
Undercover
Het Zuiden
Martin Koolhoven
Monic Hendrickx, Frank Lammers
Martje is the manager of a successful laundry service, but in her personal life she struggles with her self-image after the amputation of one of her breasts. After she is humiliated when Loe, one of her employees, is startled by the discovery of her prosthesis during foreplay, she imprisons him in the laundry plant. As Loe is slowly dying in imprisonment, Martje loses contact with reality and starts imagining having a family with him.
The South
Snackbar
Meral Uslu
Ali Cifteci, Nazmiye Oral
This snackbar, owned by Ali, in a suburb of Rotterdam is a refuge for the local Moroccan youth. They are wild, violent and criminal. To them Ali is like an old, trustworthy Turkish uncle, understanding, funny but also strict. But what if Ali, with his addiction to gambling jeopardizes their habitat?
Snackbar
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Mijke de Jong
Nazmiye Oral
Actress and writer Nazmiye Oral discusses with her Turkish mother everything that was previously not discussed in the family. In stylized recordings, the women show extreme frankness. The viewer witnesses what the integration process looks like within this Turkish family, making it clear what the process of dialogue, misunderstanding and alienation yields within the intimacy of immigrant families. The understandable pain of this family about the modern life of their daughter gets an accessible face.
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