Gillian Wearing

Self Made

Gillian Wearing

In 2007, Gillian Wearing placed an advert – in newspapers, online, in job centres and elsewhere. It read: “Would you like to be in a film? You can play yourself or a fictional character. Call Gillian.” Of the hundreds of people who replied, seven – chosen through an extended process of auditions, interviews and workshops – ended up appearing in Self Made. Of those seven, five in particular use the acting technique known as Method to delve into their own memories, impulses, anxieties, fears, fantasies and inner resources to create a series of individual performance vignettes, their personal ‘end scenes’, that reveal with particular intensity and clarity who they really are deep down – or who, in another version of their lives, they might easily have been.

2 Into 1

Gillian Wearing

Hilary Greene, Lawrence Greene

A mother and her twins talk about each other. The device of miming each others words, gives a disconcerting twist to the children's cruel honesty and their mother's unconditional adoration.

60 Seconds of Solitude in Year Zero

Edmund Yeo, Oliver Whitehead

An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Everything Is Connected: George Eliot's Life

Gillian Wearing

Sheila Atim, Jason Isaacs

Contemporary artist Gillian Wearing celebrates the legacy of Victorian novelist George Eliot. Just as Eliot’s novel Middlemarch explored the lives of ordinary men and women, this experimental film is made up of a diverse cast of people from different backgrounds.