Aina Šmid
2021Labirint
Aina Šmid, Marina Gržinić
Matjaž Farič, Fredi Fontanot
This video dance project is a sort of condensed poetical and cynical look on the situation in the ex-Yugoslav territory. Hysterical and hectic dance movements are put in juxtaposition with surrealistic artificially constructed imageries, based on Magritte's paintings and documentary shoots of the refugee camps, where Bosnian refugees lived in Ljubljana.
Labyrinth
Bilokacija
Aina Šmid, Marina Gržinić
Mateja Rebolj, Milan Štefe
Bilocation means the residence of the body and soul in two different places at the same time - simultaneously. It is the perfect term for delineating the processes going on in the video medium and for describing the hell and bloody history of Kosovo.
Bilocation
A3 - apatija, aids in Antartika
Aina Šmid, Marina Gržinić
Neda Bric, Niko Goršič
A story of fragility, sexuality, monstrosities and geographical confusions. Everything, everywhere is the slogan of the nineties, a confusion of bodies, concepts and strategies, a kind of out of joint situation for the subject. And we find ourselves in all the media, in all the bodies in all the possible spaces at ones, but this deadly dance is not innocent. The video consists of the main part in which wives of the so-called totalitarian leaders as of the Rumanian dictator Cauceuscu (Elena) and of the former Serbian leader Slobodan Milosevic (Mirjana Milosevic) are forced to dance. Focused on the portrait of Mirjana Milosevic (The story of Mirjana M.) a kitsch melodramatic Balkan saga of power, drama, pop-folk elements and evil/demons is constructed. The apathy of feelings is caught in the dramatic tango that is slowed down for the camera eye.
A3 : Apathy, Aids and Antarctica
Luna 10 (The Butterfly Effect of Geography)
Aina Šmid, Marina Gržinić
Aljoša Rebolj, Blažka Müller Pograjc
Inserts from neo-avant-garde films by Emir Kusturica, Zivojin Pavlovic and Zelimir Zilnik made in the so-called Yugoslav film period of the 1970s and 1980s are re-read, re-worked, re-coded in a video story contemplating the role of different media in the war in Bosnia and Herzegovina in the time of world internet communications, cyborg stories and world spread computer nets. If it is true that we all part of a giant hypertext, coded by adapted and shortened CD-ROM histories, then why not try to display the video picture as hypertext, as the one which will show the hidden spots of our history and present?
Luna 10 (The Butterfly Effect of Geography)
Postsocializem+Retroavantgarda+Irwin
Aina Šmid, Marina Gržinić
Milena Zupančič, Jernej Šugman
After the fall of the Berlin wall, much changed in Yugoslavia, that is now ex-Yugoslavia; a post industrial, post modern, post national, post colonial, post structural society, that can be perhaps summarized in the concept of post socialism? The disintegration of the concept of ideology means that notions are no longer clear. Because we think that we are outside an ideological context, but perhaps we ourselves are the centre of the ideology. It is this idea that corresponds with the thoughts about post socialism in the nineties, and probably the post ideological society of late capitalism as well. The end of the ideological period then perhaps seems imminent. These thoughts are considered in this philosophical media reflection, based on documentary fragments, statements by Peter Weibel and Slavoj Zizek and the works of three artists: Mladen Stilinovic (Zagreb), "Kasimir Malevich" (pseudonym, Belgrade) and IRWIN (Ljubljana).
Post-Socialism+Retro Avantgarde+Irwin
Vzhodna hiša
Aina Šmid, Marina Gržinić
Olga Kacijan, Marko Mandić
The Eastern house is a video that reread some key names and some keysequences from the film history: Antonioni (Blow-up), Coppola (Apocalypsenow), Don Siegel. As well it re-articulates the body and conceptual happenings performed in the Eastern European context. The video is a homageto Nesa Paripovic happenings and body actions from the 1970s in Belgrade. The text is a political intervention in the field of theory regarding the question of global capitalism and the radical position of technology in the cyberworld with a clear reference to a cyberfeminst attitude and positioning. In this respect the question of sex and empathy in the cyberworld is raised as well as the ethical and political questioning of cloning and hybrid identities. As one of the key moment in the video is the re-reading of the Bush’s USA war against Iraq, 2003.
The Eastern House
