Flavia de la Fuente

Escenas en el mar

Flavia de la Fuente

On a quiet winter afternoon, the sale made with his tripod to film the sunset at sea. She films calmly enjoying the colors of the sunset and the sound of the water, she watches the dogs that come and go, when something unexpected dislodges her from her reverie and perhaps from the place of director of this film.

15 Días en la Playa

Flavia de la Fuente

For two winters, just like the fishermen that feature in the film, the director went out every morning to shoot the coast in San Clemente del Tuyú, a few meters from her house. From the copious footage, she chose fifteen days that reveal the tension and the diversity of textures, sounds and small stories that are born out of patience and attention.

Ser del cine

Álvaro Fuentes

Quintín, David Oubiña

An inquiry into film criticism in Argentina framed inside the historical debate about film ontology

Bajo los tilos

Flavia de la Fuente

Sunday afternoon at Las Heras Park. People and dogs pass by, and others enjoy while seated. It’s serene. It is a happy time. The film tries to share that afternoon under the linden trees, which are the most protective.

Diario de un corto

Flavia de la Fuente

The filmmaker is asked to direct a short film for the opening of a certain festival. The responsibility upsets and distresses her. She finds a solution that results in a manifest secret about fragile cinema and it’s adventures.

Niebla

Flavia de la Fuente

Fog has a curious effect on cinema. On the one hand, it precludes the production of those images that seem artificial, on account of their sharpness. On the other, the mist gives each frame a mysteriously narrative quality. The joy of watching the sea and the beach under a blanket of mist allows eluding the world of the quotidian, to suspect the beauty of the uncertain and unstable