Inese Kļava
2021Dokumentālists
Inese Kļava, Ivars Zviedris
Inta is a brusque, crusty woman who lives alone on the edge of a picturesque marsh. One day her solitude is intruded upon by the arrival of a documentary filmmaker. In his eyes Inta is an outstanding would-be film protagonist but the wild woman would rather put a curse on the importunate intruder than let herself be filmed. But the filmmaker's persistence finally succeeds in melting the ice of Inta's heart... just in order to break it soon afterwards.
Documentarian
Skola Murjāņi
Inese Kļava, Ivars Zviedris
Alekss arrives at the Murjāņi sports school to become a champion. He’s introduced to the ironclad daily routine, which starts at 7 AM and ends at 8 PM, with practices twice a day and the rest of the time filled with lessons, exams and homework, just like at any other school. He has to wash his own clothes, make his own bed and clean his own room. The second hero of the film, Kristaps, has been living at Murjāņi for three years now. He takes part in the European Youth Olympic Festival, where everyone is strong but only a select few make it to the winners’ podium. Luck is not on Kristaps’ side in this case, and what he gets are only harsh reprimands and tears in his eyes. This slice of life at Murjāņi shows the difficult path to victory through sweat, tears and hard work.
Murjāņi School
Štābs Ipiķi
Inese Kļava, Ivars Zviedris
A group of children from the capital city of Riga arrive in the small border village of Ipiķi. The townsfolk immediately know that "they aren’t locals, they’re from the capital. You can tell by the way they dress.” The differences between the city and rural children are quite evident. While the country children nimbly climb trees, play games with knives and axes, and hide in their self-made tree house, the city children buy sweets in the town store, hoping to buy the goodwill of the local children. However, gaining entry into the tree house is not so simple.
Treehouse Ipiķi
ES
Krišs Ozols, Aija Bley
It's Latvia on the 20th of September, 2003 - the day of the referendum about joining the European Union. On the day of the referendum, twelve Latvian film directors of different generations portray twelve different characters across the country. Their life stories and environments affect their decision of voting “for” or “against”.
eu
Brisele
Inese Kļava
In the minds of people, Brussels is no longer a geographical location; it is now a myth-surrounded centre, where decisions are made regarding future life in Europe. The most brilliant minds from the European countries have convened in Brussels: former state leaders, highly-placed officials, advisors, translators and interpreters, as well as family members of all these people. Together, they comprise a sort of separate planet ruled by special laws and using new methods of communication; it is a place of a high concentration of power and all sorts of creature comforts. The anxiety following the 2016 attacks on Brussels has taken everyone by surprise, and the question whether to stay on Planet Brussels now comes up increasingly often. The Brexit news gave completely different kind of concussion to the commonly established center of Europe.
Brussels
2018
Inese Kļava, Ivars Zviedris
During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.
2018
