Mario Sgueglia
1979 (47 лет)
The Champion
Leonardo D'Agostini
Stefano Accorsi, Andrea Carpenzano
Christian is an extremely talented as well as unpredictable football player. After his latest screw-up, the president of his team decides to assign him a personal tutor, to help him in controlling his temper. Valerio is a shy and solitary professor, the exact opposite of the champion. Sparks will fly between the two at first, but soon their relationship will change both for the better.
The Champion
Appunti di un venditore di donne
Fabio Resinaro
Mario Sgueglia, Miriam Dalmazio
Set in 1978 Milan, Bravo lives his life among luxury clubs and illegal gambling dens in the company of his friend Daytona. Bravo defines himself as an entrepreneur. His business is women - because he sells them. The life of a women salesman is not an easy one, though. The meeting with Carla and a night in the town will change his life forever. Bravo will have to go through his painful past and fight the ultimate battle.
Notes from a Women Salesman
Arance & martello
Diego Bianchi
Diego Bianchi, Francesco Acquaroli
A 'period' piece set in the hot summer of 2011, in the midst of the Berlusconi era. The life of a quiet corner market is shaken when the mayor decides to close it down. The only political organization people can turn to is the local section of the Democratic Party, which is separated from the market by a concrete wall, built to allow the construction of the subway.
Arance & martello
Viva la sposa
Ascanio Celestini
Ascanio Celestini, Alba Rohrwacher
In a despairing, fatalistic Rome, Nicola finds himself flirting with the city’s dark side. Drinking too much and living among drifters, petty criminals and anxious immigrants, Nicola becomes entwined in an insurance scam that leads him further into a netherworld he may never escape.
Long Live the Bride
Pantafa
Emanuele Scaringi
Kasia Smutniak, Francesco Colella
Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.
Pantafa
