Marie Louise Alemann

Butoh

Constanza Sanz Palacios

Marie Louise Alemann, Luna Linares

Legitima defensa

Marie Louise Alemann

Marie Louise Alemann

Wearing a swimming cap and one-piece, with a bright white face, an alien-like woman circles the camera, snarling and contorting her jaw, using a rainstick as a shield.

Yo veo conejos

Marie Louise Alemann

Marie Louise Alemann, Narcisa Hirsch

Sensación 77: Mimetismo

Marie Louise Alemann

Marie Louise Alemann

A woman hides in the forest, attempting to become one with the landscape.

Untitled

Juan José Mugni

Marie Louise Alemann

An exercise in portraiture with a Super 8 camera, Juan José Mugni portrays filmmaker Marie Louise Alemann in a number of different shots.

Cinématon XII

Gérard Courant

Jackie Raynal, Sylvia Andresen

Reel 12 of Gérard Courant's on-going Cinematon series.

Vanessa

Marie Louise Alemann

Vanessa Show

In documentary fashion, drag queens are shown preparing for a performance, of which clips are also shown.

Umbrales

Marie Louise Alemann

Marie Louise Alemann, who died in February 2015, was an experimental filmmaker based in Buenos Aires. She worked on Super8 and developed a bold yet enigmatic style, frequently performing in her own films, and emphasising physical sensations and the primacy of the body. In the words of curator Federico Windhausen, her Umbrales ‘deserves to be seen as a major work of Latin American queer cinema’.

Narcisa

Daniela Muttis

Narcisa Hirsch, Marie Louise Alemann

This documentary is an approach to the experience of seeing and listening to the trajectory of Narcisa Hirsch, a pioneer of Argentine experimental cinema, but who has also been part of the happenings and performances of the 1960s and 1970s.

Untitled

Marie Louise Alemann

Escenas de mesa

Marie Louise Alemann

A group of people, blindfolded and fed distorted German dialogue through headphones, sit at a table and feel their way towards the food in the centre.

Autobiografico 2

Marie Louise Alemann

Marie Louise Alemann

In a forest, a woman is bound by rope and string to the trees. Gradually, she begins to remove the bindings.