True Boardman
1882 - 1918The Governor's Special
J. Gunnis Davis
Helen Gibson, Scott Pembroke
The film is directed by James Davis from a story by Edward T. Matlack. In this episode Helen Gibson performs one absolutely breathtaking stunt, which just shows how dangerous it was to act for silent film pioneers, especially for stuntmen and stuntwomen. There is a twist to the plot, and Helen Gibson not only has to save her governor from mortal danger, but also the life of somebody close to her, who has been sentenced to die without guilt.
The Governor's Special
Why Broncho Billy Left Bear County
Gilbert M. Anderson
Gilbert M. Anderson, Marguerite Clayton
Through a kindly act Broncho Billy earns the deep gratitute of Marion Rivers, who presents him with a Bible. Not long afterwards, she comes upon him as he is about to hold up the stage, but at sight of the girl he is overwhelmed with shame and taking out the little Bible promises her that he will live honorably. In the meantime, Marion's father holds up the stage at another point, and one of the stagecoach drivers, mounting a bareback pony, rides off for the sheriff. Broncho Billy sees Rivers get away with the money, and when he hears the sheriff and his men coming, for Marion's sake he goes to warn her father. To shield him, he takes the bags of money and rides away with the men after him. He leaves the money at the mile post with a note saying: "SAheriff, I'm through with Bear County, this stick-up was my last", and rides across the border. (Moving Picture World Synopsis)
Why Broncho Billy Left Bear County
The Wrong Train Order
J. Gunnis Davis
Helen Gibson, Robyn Adair
In this episode everything goes wrong. Helen ends up on the rear observation deck of a runaway express train with the door to the inside closed, with the air-brake of the engine damaged, the engine itself full of steam and inaccessible, and the train speeding ahead on the wrong track.
The Wrong Train Order
Danger Within
Rae Berger
Zoe Rae, William A. Carroll
A ruthless, miserly millionaire wakes up one day and finds that a quarantine sign reading "Danger Within!" has been tacked onto the front door of his mansion, and guards have been stationed outside to make sure that no one enters or leaves the building. The only other person in the house is Dolly, his chief clerk's six-year-old daughter, who went into the house out of curiosity just before it was quarantined.
Danger Within
The Doctor and the Woman
Lois Weber
Mildred Harris, True Boardman
The mysterious "K" takes a humble job and falls in love with his landlady's daughter, Sidney Page. Sidney discourages her boyish admirer, Joe Drummond, and seeks training as a nurse. Infatuated with the head surgeon, Dr. Max Wilson, she accepts his proposal, which infuriates nurse Carlotta, who also loves Max. Carlotta lures Max to a roadhouse, where Joe, mistaking her for Sidney, shoots Max. K appears and, assuming his true identity as the famous Dr. Edwards, saves Max's life by performing his "Edwards operation."
The Doctor and the Woman
The Rose of Old St. Augustine
Otis Turner
Kathlyn Williams, Charles Clary
Captain Lafitte receives word that Alicante, a young Spaniard, is to wed Dolores, the Rose of St. Augustine, whom he has not seen since childhood. He objects to the wedding. Lafitte captures Alicante, dresses in his clothes, and with Dalroy, his lieutenant, dresses as his valet, and Black Hawk, a Seminole Indian of his band, go to St. Augustine and pose as the suitor Alicante. Dolores falls in love with him as Alicante. Dalroy falls madly in love with her, is refused and betrays Lafitte to her father, the commandant. Lafitte is made prisoner and while Dalroy leads her father and soldiers to capture the camp of the Privateers, Black Hawk and Dolores rescue Lafitte from the dungeon.
The Rose of Old St. Augustine
The Girl from Frisco
James W. Horne
Marin Sais, True Boardman
A series of 25 2-reel Western thrillers in which a cowgirl aids the cause of justice and humanity in the Old West, often aided by her fiancé and her rancher father. Each episode tells a complete story in itself.
The Girl from Frisco
