Izabela Olszewska
2021Passenger
Andrzej Munk, Witold Lesiewicz
Aleksandra Śląska, Anna Ciepielewska
A German woman on a ship returning to Europe notices a face of another woman which brings recollections from the past. She tells her husband that she had been an overseer in Auschwitz during the war, but she has actually saved a woman's life.
Passenger
The Calm
Krzysztof Kieślowski
Jerzy Stuhr, Izabela Olszewska
A young man in his twenties leaves prison after a three-year sentence. He wants to start a new life in a place where he is not known and dreams only of a job, a wife and a family. He succeeds partially in fulfilling these dreams, but then runs into a conflict on a construction job between the corrupt boss and fellow workers secretly planning a strike. He becomes a pawn in one camp while remaining true to his ideals in the other. Filmed in 1976 and shelved for five years.
The Calm
Little Rose
Jan Kidawa-Blonski
Andrzej Seweryn, Magdalena Boczarska
Pressured by his superiors to disgrace public intellectual Warczewski, a professor and respected writer whom they believe to be a "camouflaged Zionist," rough security-services colonel Rozek enlists his sexy but naive girlfriend, Kamila, to insinuate herself into the distinguished older man's life and report on his every move. Not particularly interested in serving communism but eager to please her domineering lover, Kamila accepts the mission, reporting under the code name "Little Rose." As quick scenes contrast Kamila's crude pleasures with Rozek and her more refined experiences with Warczewski, it becomes clear that the more time the unschooled young woman spends with the professor, the more she comes to have true feelings for him.
Little Rose
The Wedding
Andrzej Wajda
Marek Walczewski, Izabela Olszewska
Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.
The Wedding
