Vasiliy Sigarev
1977 (47 лет)Living
Vasiliy Sigarev
Olga Lapshina, Marina Gavrilova
In the second feature film by Russian director Vasily Sigarev, fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. While Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.
Living
Wolfy
Vasiliy Sigarev
Polina Pluchek, Yana Troyanova
There are two of them: a mother and a girl. They have no names. And they are in a constant run. The mother runs away from the daughter in an attempt to start new life, and the girl runs after her mother as she has no idea how to live without her. This endless run is full with repeated mistakes and resembles a barrel-organ sorrowful song or a spinning-top rotation. This small ridiculous toy "volchok" was the first toy in the girl's life, the only thing that tied her with the mother.
Wolfy
Далеко от Лондона
Yuliya Kiseleva
Vasiliy Sigarev
The hero of the film, the famous director, screenwriter, playwright Vasily Sigarev, tells stories from his life, which, when slightly transformed, become the stories of his plays. For the residents of his native Verkhnyaya Salda it's everyday. For the capital's theaters - an unprecedented reality of provincial life. For the audience - and laughter and horror. For the playwright - numerous prizes and endless pain.
Far away from London
#Крымнаш
Vasiliy Sigarev
Vasily Sigarev about the film: "After the well-known events, my mother suddenly decided that now I can finally go to Crimea. She sincerely believed that it was impossible to get there earlier. As a result, it had to be urgently evacuated to Moscow, as it turned out that they did not take cards anywhere. And she, spit on a good tradition to carry money, sewing in panties, went, like a white man, with a card. Actually, all that she had time to do was go on some crazy excursion, where they were constantly filmed on the camera, then to sell the discs. From this disk and mounted a movie. I laughed so much when I watched that I decided to do something of this".
#OurCrimea