Peter Lucas
2021Clean, Shaven
Lodge Kerrigan
Peter Greene, Robert Albert
Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.
Clean, Shaven
We Go On
Jesse Holland, Andy Mitton
Clark Freeman, Jay Dunn
Paralyzed by his fear of dying, Miles Grissom takes out an advert offering 30000 dollars in reward money to the first person who can show him evidence of an angel, a demon, or prove that ghosts exist - anything to prove to him that we go on after our deaths. He narrows the responses down to three viable candidates - a scientist, a medium, and a worldly entrepreneur. Along with his protective mother, he embarks on an adventure through Los Angeles that will spiral into an unthinkable nightmare.
We Go On
The Queen of Hollywood Blvd
Orson Oblowitz
Rosemary Hochschild, Roger Guenveur Smith
On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.
The Queen of Hollywood Blvd
Total Force
Steven Kaman
Timothy Bottoms, Rustam Branaman
An evil scientist creates a device that controls humans. With a press of the button, the subject will explode. A special forces team called "Total Force" must seek out and destroy the scientist and his lab. Later on in the film they are supported by terrorist Jack O'Hara, played by Frank Stallone. 'Comic relief' is provided by a corrupt senator, whose character is not at all funny.
Total Force
Kafka
Zbigniew Rybczynski
Peter Lucas, Birgit Bofarull
Against a set which has been designed in a Kafkaesque and claustrophobic way, Rybczynski has recreated a World of Kafka which corresponds well with Kafka's maze-like novels. It is an abstract and unpredictable world where Kafka himself moves between the scenes of his own stories, from America via The Castle to Metamorphosis, and The Trial is of course the frame story throughout. Rybczynski has chosen to portray Josef K as an alter ego. Other characters become members of his own family, which means that Rybczynski makes a kind of exemplary, depth psychological close reading of his work.
Kafka
Ordinal (SW/NE)
Rini Yun Keagy
Dr. Antje Lauer, Joe Seely
The film traces the cultural and environmental influences of a soil-dwelling, pathogenic fungus, Coccidioides immitis, and its associated disease, valley fever, in California's Central Valley. Interweaving past, present and mythological time, the film draws upon historical and cultural references, including the plight of migrants during the Depression, the spread of the disease in recent years, contemporary theories of climate change, and the significance of the desert wind in ancient Assyria. In Ruperto and Keagy’s film, natural phenomena remain neutral, fleeing from any kind of judgment and avoiding binary oppositions of positive and negative, destruction and regeneration, life and death.
Ordinal (SW/NE)
