Isao Kota
2021Фильмы
Orandajin no shashin
Isao Kota
Beginning with the grounded view of bare feet walking through shallow surf, the film then seizes and, in successively cumulative layers adds frames of image-within-image until we are watching the walking feet through a tunnel. The Dutchman's Photographs becomes a kinetic reiteration of itself and in doing so, succinctly detaches from spatial illusion, beginning a temporal experiment where still photographs are transformed into cinematic "action".
Dutchman’s Photographs
1976 
Япония
