Laura Casabé
1982 (44 года)Zombies in the Sugar Cane Field. The Documentary
Pablo Schembri
Isabel Sarli, Luciano Saracino
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
Zombies in the Sugar Cane Field: The Documentary
El hada buena - Una fábula peronista
Laura Casabé
Alejandro Parrilla, Lidia Epstejn
In a popular auction that matches the sinister and colorful of a circus of phenomena, a couple adopts children in exchange for their belongings. The children there acquired, usually mutilated, are in their new home in order to prepare for access to the Peronist education program taught in only 10 state institutes.
El hada buena - Una fábula peronista
Los que vuelven
Laura Casabé
María Soldi, Lali González
Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.
The Returned
La valija de Benavidez
Laura Casabé
Guillermo Pfening, Jorge Marrale
During his entire existence, art teacher Benavidez has been living in the shadow of his formidable father, a famous artist who constantly reminded his son of his lack of talent and vision. Even more painful is that the love of his life, one of his ex-students, reveals herself to be a gifted artist. To some she’s even considered to be the true successor to Benavidez’s father. It’s no wonder that this creates tensions and after a devastating lovers quarrel, Benavidez puts all his artworks into a big case and, having nowhere else to go, drags it to his shrink. The man specializes in treating creative spirits and even has an artist’s colony in the basement of his huge mansion. As part of their therapy, his patients produce artworks that get sold for lucrative prizes at auctions organized by the psychiatrist himself. When he looks at what’s inside the case of Benavidez, he realizes that the son has finally surpassed his father.
Benavidez’s Case
