
Kamel ElBasha
1962 (63 года)The Reports on Sarah and Saleem
Muayad Alayan
Adeeb Safadi, Sivane Kretchner
The affaire of a married Palestinian man and a married Israeli woman in Jerusalem takes a dangerous political dimension when they are spotted in the wrong place at the wrong time leaving them to deal with more than their broken marriages.
The Reports on Sarah and Saleem

الحب والسرقة ومشاكل اخرى
Muayad Alayan
Muayad Alayan, Mustafa Abu Hanood
Layabout, clandestine lover, small-time hood – Mousa has all kinds of skills. A refugee camp resident, this Palestinian does not give a damn about his father’s hard-won permit to work legally in the Israeli part of Jerusalem – he would rather earn a living stealing Israeli cars and selling them to Palestinian fences. Mousa is convinced that his future lies far away from all the violence and constraints that characterise life in the divided city; his heart, moreover, belongs to a married woman. Following the theft of a Passat one day he is given a brutal goingover by Palestinian militia-men. On closer inspection of the vehicle, he makes a discovery which suddenly makes apolitical Mousa of interest to all sides …
Love, Theft and Other Entanglements

حظر تجول
Amir Ramses
Ilham Shaheen, Amina Khalil
On 2013, Faten is released from prison after serving a 20-year sentence for committing a horrific crime. She is forced to spend her night with Leila as a result of a curfew and she is subjected to another trial in search of answers to hidden questions about her
Curfew

Al Helm: Martin Luther King in Palestine
Kamel El Basha, Connie Field
Ramzi Maqdisi, Georgina Asfour
An African American gospel choir is the Greek chorus for a Palestinian play on Martin Luther King, Jr. which tours the West Bank, preaching nonviolence. The devoutly Christian choir grew up in churches strongly allied with Israel. On their first trip to the Holy Land they witness the harsh realities of life under occupation, a nonviolent movement for justice, and an assassination. Our story is a unique view of a crucial human rights conflict. Mixing the excitement of foot-stomping gospel music and creative theater it reveals the power of art to communicate, heal, and give voice to communities living in fear. It is a cultural exchange of immense depth and far-reaching implications, where, during the course of the journey, people's preconceptions are radically changed.
Al Helm: Martin Luther King in Palestine
