Teresa Tyszkiewicz
2021
Obraz i gry
Teresa Tyszkiewicz
This time the confrontation Teresa Tyszkiewicz with the matter proceeds in a close analysis, although the artist's strategy is still based on the spontaneous expression of subjective experiences and impressions. Tyszkiewicz creates situations in which surrender may conduct on their premises all kinds of "tests" in order to locate their conceptual center and create the archetypal image. Starts at the numerous references and meanings, which includes formal, visual and semantic game. The artist uses the most mundane matter, and its original power of symbolic interaction, to create aesthetically refined images with his characteristic abstract beauty. Among those addressed in the film political themes (presentation of the issue of the weekly "Solidarity"), and the fight that at the end she goes with a heavy, linen sackcloth. The film ends with colored feminist scene serfdom after a failed attempt to revolutionize the fossilized perception of gender and female sexuality.
Image and Games
Druga strona
Zdzisław Sosnowski, Teresa Tyszkiewicz
Common movies Teresa Tyszkiewicz and Zdzislaw Sosnowski, such as the other side of the Permanent Position express interest in artists and create erotic situations appropriate iconosphere privacy. We see here a sensual story about the intimate relationship linking two loving people who improvised action-compositions develop a repertoire of visual equivalents experience of love and relationship. In their private zone gradually penetrate, but also a variety of media, like television or newspapers, enabling communication with the parallel reality of the political and aesthetic, which is also a source of the content processed by the Tyszkiewicz and Sosnowski - personal experience of eroticism is here confronted with clichés and poetics of erotic performances that permeated to Polish from the West.
The Other Side
Oddech
Teresa Tyszkiewicz
The film is a reflection on the cultural and psychological space attributed to women in the collective consciousness, and above all in contemporary iconosphere. The artist creates characters and situations arranged in a complex in meaning and visual variation on the theme of erotic symbols and incarnations and sexual stereotypes, revealing thus their influence on essentialist vision of women in modern life and visual culture.
Breath
Adaptacja
Teresa Tyszkiewicz
The registered activity, the artist uses a wide range of physical and visual expression to refer to the issues of birth, physicality and sexuality, both in the semantic and iconic. It also refers to "shocking" the language of performance art operating with nudity, violence, or, as here, using dead animals. Despite the physical and sexual striking impression share, the artist remains all the time in the garment. At the end of disguises, but from the eyes of the audience hides her tight cocoon. Constructing a symbolic expression of a structured situation is accompanied by a strong emphasis on the visual dimension of the action. Sophisticated structure semantically-formal Tyszkiewicz present in the films are played in the material world and translated into performance art.
Adaptacja
Stałe zajęcie
Zdzisław Sosnowski, Teresa Tyszkiewicz
In the joint films Teresa Tyszkiewicz and Zdzislaw Sosnowski, such as the other side of the permanent occupation of the fullest expression of interest is Polish artists of the 70s eroticism. We see here a sensual story about the intimate relationship linking two loving people who improvised action-compositions develop a repertoire of visual equivalents experience of love and relationship. Sexual coloration of the presented situation further strengthen erotic marked props. The film is the image of negotiations between the private experience of eroticism and poetic cliches and erotic performances, which infiltrated into Polish from the West, when the Puritan country still was closed on erotic imagery. Artists do not make attempts to penetrate the mystery contained in close-up, but form a visual structure that expresses the joy of being together.
Permanent Position
Dzień po dniu
Teresa Tyszkiewicz
With expressive and based on the repeatability of shots structured film dynamically visualizes personal emotions and subconscious desires of the artist. He experiences his microenvironment obsessively focusing on ordinary objects whose existence is lost in the created situation it his rationality. The fascination of things is here reduced to the level of uncontrollable physical attraction, which seems to expose the emptiness that filled tempting material goods. She puts in the spotlight but also your body. It is not only a tool of expression, the link between reality and imagination, but an entity interacting with the material reality, both purely physical - negotiating the boundaries between her and the outside world - as well as ideological. Tyszkiewicz examined here because the area of gender performativity and cultural sphere of subjects affecting the perception of female sexuality.
Day After Day
Ziarno
Teresa Tyszkiewicz
Deprived of a clear beginning and end of the film grain is a dynamic and expressive story artist on the confrontation of man with the surrounding reality and negotiate its own borders in the world. Just like in the movie Day after day she comes into spontaneous, extremely physical contact with the environment being examined but this time the material culture and its impact on subjectivity and gender culture but showing the primary structure of modern human iconosphere. Compile your own body with archetypal images of dirt , pleasure, mundane, luxury, constantly moving accents of his interaction with the environment, and its insatiable touch it reduces itself to the level of a shred of living matter. Full abstract beautiful visions intermingle to form a complex structure of meaning and visual. Film lived to see many readings in the key feminist. She updates here the issues of female sexuality in the contemporary sphere of meanings and symbols.
Grain