Aleksandar Stankovski

N.E.P.

Dragan Abjanić, Igor Ivanov Izi

Lubomir Frckoski, Igor Ivanov Izi

N.E.P. or The Stones God Threw on the Barricades was made as an independent project by TV Bordoshbagn for A1 Independent Television in Skopje. The film is of an undefined genre and speaks about the Third World lies, which renowned 'well-intentioned' missionaries, founders of certain foundations and institutes, have promoted in the countries of the former socialist regime, especially in Eastern Europe. This project is an outsider's look at the paradox about the secret beauty of power and the submission to that power. N.E.P. is a video reflection on the aesthetics of the transformation of power, looked at from the point of view of the ordinary man in the so-called transitional countries who, after five years of living in 'freedom' still can't understand why the most democratic system of them all – parliamentary democracy – is better than the one before.

Маклабас

Aleksandar Stankovski

Ilija Daskalov, Mirče Donevski

The agent Ansarov is drawn into the strange, even weird investigation about a number of murders. The victims are agents of various foreign intelligence services. Thanks to his contacts, he finds out all these agents were involved in cruel games concentrated around the search and exploitation of a very rare and precious mineral, even more valuble considering the fact that it is used for producing some very exclusive narcotic. At the same time, the scientific elite is hoping that with this mineral, they can penetrate ther dimensions of the anti-matter. It's been established that the mineral (the Green Diamond) has its own kind of conscience (the aspect of The Cosmic Mind).

Акт

Aleksandar Stankovski

Act presents some of the main historical styles in European painting of the naked human figure. Changes in the styles of painting the naked human figure are presented, from baroque and rococo through classicism, romanticism, realism, impressionism, modernism and post-modernism. There is no conventional narration in this animated movie; instead the plot is inspired by the history of European painting as seen and practiced by an artist—the author of this animated movie.

Самит на шаманите

Aleksandar Stankovski

Kiril Pop Hristov, Mirče Donevski

In a theater, as the actors agree to set a new play, our protagonist goes to the theater basements full of old costumes to look for Dracula's costume. But, by chance, finds a magic book, which once he opens, it instantly displaces reality and leads him to phantasmagorical journeys.

Судијата

Žaneta Vangeli

Jovo Brahms, Mirče Donevski

A young movie director is shooting his first film, "The Judge", about the devil as a contemporary personification of evil. But he must face some temptations. In the world in which illusion gets the right to dimension, matters have no gravitation, they are fragile and at the same time constant. Where the corporeal burdens the consciousness, consciously silent, with thirst and wish for penetration into a totally different reality - the images become one, first of all-important element, while they are discreetly thread towards eternity. This is a world in which the only magic is implied.