Guy Decomble
2021Les Quatre Cents Coups
François Truffaut
Jean-Pierre Léaud, Claire Maurier
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
The 400 Blows
Bob le flambeur
Jean-Pierre Melville
Roger Duchesne, Isabelle Corey
In Paris, Bob Montagne is practically synonymous with gambling -- and winning. He is kind, classy and well-liked by virtually everyone in town, including police inspector Ledru. However, when Bob's luck turns sour, he begins to lose friends and makes the most desperate gamble of his life: to rob the Deauville casino during Grand Prix weekend, when the vaults are full. Unfortunately, Bob soon learns that the game is rigged and the cops are on to him.
Bob le Flambeur
Le voyageur de la Toussaint
Louis Daquin
Assia Noris, Jules Berry
A young man comes back to his hometown to be confronted with a bourgeois obnoxious family who has always despised his -now dead - parents because they were music hall artists, "entertainers". But because he's the sole legatee of an uncle's fortune, his relatives become friendly with him.. at least for a while.
Le Voyageur de la Toussaint
Les Cousins
Claude Chabrol
Gérard Blain, Jean-Claude Brialy
Charles is a young provincial coming up to Paris to study law. He shares his cousin Paul's flat. Paul is a kind of decadent boy, a disillusioned pleasure-seeker, always dragging along with other idles, while Charles is a plodding, naive and honest man. He fell in love with Florence, one of Paul's acquaintances. But how will Paul react to that attempt to build a real love relationship ? One of the major New Wave films.
The Cousins
Nous sommes tous des assassins
André Cayatte
Marcel Mouloudji, Raymond Pellegrin
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
We Are All Murderers
Jour de fête
Jacques Tati
Guy Decomble, Jacques Tati
Jour de Fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Influenced by too much wine and a newsreel account of rapid transportation methods used by the United States postal system, he goes to hilarious lengths to speed the delivery of mail while aboard his bicycle.
Jour de fête
Les jeux sont faits
Jean Delannoy
Micheline Presle, Marcello Pagliero
"Les jeux sont faits," is a fantasy film based on a screenplay by French existentialist philosopher Jean-Paul Sartre. A society heiress and a resistance fighter are tragically killed at the same moment and meet in the afterlife. They are offered a second chance at life if they can prove their love is real or be doomed to roam the earth as ghosts.
The Chips Are Down
Vire-vent
Jean Faurez
Roger Pigaut, Sophie Desmarets
The Donadieu family lives in the Provençal sun in a happy letting go, The father, the mother, the son and the three daughters. One of them, Claire, falls in love with a mountain dweller, Chapus, whom she marries Chapus, rough and austere, undertakes to educate the Donadieu family. The joy disappears and only returns in the absence of Chapus.
Vire-vent
La ferme du pendu
Jean Dréville
Charles Vanel, Alfred Adam
A large farm in Vendée. The father is dying and the three brothers and sister swear not to marry not to break up the field. Months pass. Francis, the eldest, took things in hand. For him, the promise to their father is sacred. So he does everything for his brothers and his sister Amanda are not tempted. However, the latter lets himself courted by a young man from the neighboring village ...
Hanged Man's Farm
L'affaire est dans le sac
Pierre Prévert
Julien Carette, Anthony Gildès
Benjamin Déboisé, a hatter, his salesman and a young man want to kidnap an American millionaire, put him in a bag and hold him to ransom. But they make a mistake: the fellow they find in the bag is not the millionaire himself, but his son...!
It's in the Bag
Les Vieux de la vieille
Gilles Grangier
Jean Gabin, Pierre Fresnay
Три друга-весельчака - Жан-Мари, Батист и Блаз решили оставить свою родную деревню и уезжают, чтобы устроится в дом престарелых. Однако, к великому несчастью жителей их родной деревушки, старики не выдерживают жизни в «богодельне», устраивают побег и возвращаются в деревню...
The Old Guard
Le dernier sou
André Cayatte
Gilbert Gil, Ginette Leclerc
Pierre risks being taken advantage of by an agency that sets up financial scams, he escapes thanks to Marcelle, the secretary of the director of the agency, who is a childhood friend. She does her best to keep the young man away from the scams of his boss. However, the director, in love with Marcelle and jealous of Pierre, succeeds in trapping and ruining him. Marcelle will then denounce him to the police, but before being arrested he will kill her.
The Last Penny
Patrie
Louis Daquin
Pierre Blanchar, Maria Mauban
Brussels in the year 1568, as the Flemish people are fighting against the tyranny of the Spanish occupiers. Led by Count de Rysoor, the revolt against the ruthless Duke of Alba, is meant to help Prince William of Orange to get into the city and come to power. Now, the count's lieutenant, has an affair with Elisabeth, Rysoor's wife. For the time being, the count, who thinks of his homeland first, turns a blind eye. But such a relationship might well undermine the whole rebellion movement.
Homeland
