Paweł Łoziński

Miejsce urodzenia

Paweł Łoziński

Henryk Grynberg

Henryk Greenberg is a Polish-born American who lost much of his family in the Holocaust. Certain of the location where his father and younger brother were murdered, Greenberg returns to find most of his former neighbors predictably claiming foggy memories at first; but soon their recollections come more easily.

Film balkonowy

Paweł Łoziński, Pawel Lozinski

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

You Have No Idea How Much I Love You

Paweł Łoziński, Pawel Lozinski

Relationships with the people you love most are often the most complicated. This is the problem Hania and her mother Ewa face during their sessions with a psychotherapist, filmed intimately and with the utmost respect by director Paweł Łoziński. The camera always focuses on one person at a time, revealing every emotion hidden behind the words and silences. The empathetic therapist carefully but purposefully peels away the hard layers under which mother and daughter shield themselves. Little by little, the personal tragedies that hamper their communication rise to the surface, as well as the source of the longing for love and acknowledgement that they find so hard to fulfill.

Ojciec i syn

Paweł Łoziński, Pawel Lozinski

Two acclaimed documentary film-makers - father and son - drive from Poland to Paris to see the place where the ashes of the father's mother are buried. What accompanies them on the way are resentments, quarrels and sincere confessions.

Chemia

Paweł Łoziński, Pawel Lozinski

Pawel Lozinski follows the chemotherapy patients of a cancer ward over a year. The outside, where ‘normal’ life continues, trees bloom, shed their leaves or are covered with snow, does not exist except in a few glances out of the window or at some dim passing figures. The camera consistently focuses on dialogues and on the faces of those who find themselves between life and death and their closest relatives, capturing this suspended life with wonderful ease.

100 Years of Polish Cinema

Paweł Łoziński, Pawel Lozinski

The Polish entry in the BFI’s Century of Cinema series of documentaries

Siostry

Paweł Łoziński, Pawel Lozinski

Two old sisters, living in the same Warsaw apartment, sit on a bench and talk. The 87-year-old elder one seems to care for the other reluctantly and treat her badly. The younger, who is said to be clumsier, has walking problems.

Kratka

Paweł Łoziński

Lech Dyblik, Sławomir Orzechowski

The film was made according to the idea and under the care of Krzysztof Kieślowski. A contemporary story about 10-year-old Sebastian and Eugene, a retired elevator man. Despite the age difference between them, they are struggling with a similar life situation - they are lonely, with no support in the family, forced to fight for survival, in a world that does not care about them. The fate of the characters is linked by a desire to get a 500-franc note, lost by a French pianist. The money fell into a deep sewage grid, from which it is not easy to take it out. They start a war with each other, use deceit, sometimes join forces to try to get the banknote on their own. With time, they become more and more exposed to each other.

Inwentaryzacja

Paweł Łoziński, Pawel Lozinski

Paweł Łoziński’s documentary is a short, metaphoric story, undertaking a problem of memory, identity, searching for traces of the recent past. Here, on thirty hectares in the city centre, the inventory is being made – it is to lead to reconstruction of a lost city. The camera focuses on details, showing fingers touching an obliterated inscription or a laborious process of decoding letters excavated from the ground, because each of them means something.

Masks and Men

Paweł Łoziński, Pawel Lozinski

The passage of time during the pandemic has grown to become my character. The world froze, together with the camera on my balcony. I’m watching a shard of the world in a frame and a unique slice of time we have all found ourselves in. I listen intently to abrupt silence. But life that has slowed down continues under my balcony. New characters are moving along like on the stage. I’m asking people questions I cannot answer myself - what will come next?