
José Ángel Egido
2021Elsa & Fred
Marcos Carnevale
China Zorrilla, Manuel Alexandre
When the retired seventy-seven years old hypochondriac widower Fred moves to an apartment in Madrid, his temperamental daughter Cuca has an incident with his next door neighbor, the elder Argentinean Elsa. Later, they meet each other and Elsa seduces Fred with her reckless behavior and view of life and they have a romance.
Elsa & Fred
Mondays in the Sun
Fernando León de Aranoa
Javier Bardem, Luis Tosar
After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during a protest against the closure. José is bitter that his wife, Ana, is employed when he is not.
Mondays in the Sun
Pájaros de papel
Emilio Aragón
Imanol Arias, Lluís Homar
At the end of the Spanish Civil War, the members of a group of vaudeville performers have been stripped of everything: all they have left is hunger and the instinct to survive. Day after day, agonizingly, lost and helpless between the victors and the vanquished, the musician Jorge, the ventriloquist Enrique, the couplet singer Rocío and the orphan Miguel search tirelessly for something to eat and a safe place to live.
Paper Birds
Everybody Knows
Asghar Farhadi
Penélope Cruz, Javier Bardem
Laura, a Spanish woman living in Buenos Aires, returns to her hometown outside Madrid with her Argentinian husband and children. However, the trip is upset by unexpected events that bring secrets into the open.
Everybody Knows
María (y los demás)
Nely Reguera
Bárbara Lennie, José Ángel Egido
Ever since her mum died when she was fifteen, Maria has taken care of her father and her siblings. Responsible and in control, she's always been a rock for the family and feels proud of her efforts. That's why her father's sudden love for his nurse and the announcement of their marriage brings Maria's world crashing down around her. At the age of 35 and unable to find a steady partner, she'll have to take the plunge and dare to change her own fate.
María (and Everybody Else)
Traumland
Petra Biondina Volpe
Luna Mijović, André Jung
An affluent city is covered in snow, all seems perfect – on the surface. Divorcé Rolf is doing his best to rebuild his relationship with his daughter. Pregnant Lena appears to be living a faultless family life with her husband and son. Social worker Judith has a tough job and escapes it through her fantasies, whilst widowed Maria has finally built up the courage to invite her male acquaintance to a romantic dinner. In the course of one day, all of them will cross paths with the Bulgarian Mia, who works in the red-light trade and their seemingly perfect lives will never be the same…
Dreamland
The Blind Sunflowers
José Luis Cuerda
Maribel Verdú, Javier Cámara
Orense, Spain, 1940, just after the end of the Civil War. Every time Elena locks the door of her home, she and her children become the faithful guardians of a sacred secret: Ricardo, her husband, their father, hides in the house, trying to avoid the brutal political persecution of the victors, who hunt, as if they were wild animals, and imprison or execute, those who have lost the bloody and tragic struggle…
The Blind Sunflowers
Horas de luz
Manolo Matji
Alberto San Juan, Emma Suárez
September 1987. In a shootout with police, Juan Jose Garfia makes a triple murder. Sentenced to more than one hundred years, is a rebel prisoner, clever and elusive that it has nothing to lose and nobody to worry about. In 1991, manages to escape from a police van jumping up. Stopped after two months of robberies and shootings, Garfia leads several prison riots, against which the authorities takes as a measure subjecting prisoners to a more contentious special isolation regime. Garfia, the prisoner with the highest IQ, avoiding drugs, which seems immune to punishment, and lives two years without seeing anyone, held in a tiny cell and subjected to continuous harassment. There he meets Marimar, a nurse I can barely speak, but between both of a current of mutual understanding.
Hours of Light
For the Good of Others
Oskar Santos
Belén Rueda, Clara Lago
Diego is a doctor so used to working in extreme situations that he has immunized himself to others' pain. He has switched off from his work, his partner and his commitment as a father. Over the course of a disturbing meeting, Diego is threatened with a gun. Hours later, he can only remember the sound of a bang and the strange feeling of having being hit with something more than a bullet. Diego has to take an irreversible decision which will affect his own life and that of his loved ones.
For the Good of Others
Napoleon and Me
Paolo Virzì
Daniel Auteuil, Monica Bellucci
Elba island, 1814. Martino is a young teacher, idealist and strongly anti Napoleon, in love with the beautiful and noble Baroness Emily. The young man finds himself serving as librarian to the Great Emperor in exile, whom he deeply hates, yet soon begins recording Napoleon's memoirs, getting to know and learning to value the man behind the myth. Among seductions and affairs, expectations and fears, he will craft a precise portrait that nevertheless will not manage to hide a final, inevitable, disappointment.
Napoleon and Me
Carreteras secundarias
Emilio Martínez Lázaro
Antonio Resines, Maribel Verdú
Spain, 1974. A teenager and his father are traveling in a car that is the only property they have. Their life is a continuous move by desolate coastal apartments in the tourism low season. When forced to change route and get away from sea, their lives will change dramatically.
Backroads