Pablo Marín
Fully filmed and edited using a super-8 camera, Resistfilm moves between structure and poetry, playing a multiple game of masks and superimpositions that underline the organic character of celluloid.
Resistfilm
Nuestro Fuji (Una postal)
sin título (FOCUS)
4×4
An abstract telegram : fragmented memories of living in Argentina's zip code 1640.
1640
Denkbilder II
Denkbilder
2 min, color, sound, 16mm, Argentina
TM
“Fire insubstantial, sacred and enclosed, earthly fragment to the light exposed.” - Paul Valéry, The Graveyard by the Sea (1920). [Punto de vista]
Light Trap