
Aedy Moward
2021Embun
D. Djajakusuma
R.D. Ismail, A.N. Alcaff
After the revolutionary war, Leman is asked by Barjo to join him in collecting donations from businessmen. Some donate while others do not. But Leman gets into a fight with one particular man who refuses to donate and kills him.
Embun
Ranjang Siang Ranjang Malam
Ali Shahab
Tanty Yosepha, Robby Sugara
Karno and Dina, grow up in a large fisherman village, and have carried on an affair till she is pregnant. Embarrassed, they leave for the city. Karno works as a truck driver and Dina becomes a tailor.
Bed for Day, Bed for Night
Enam Djam di Jogja
Usmar Ismail
R.D. Ismail, Del Juzar
Depicting the celebrated recapture of the town of Yogyakarta from Dutch forces in March 1949, by Indonesian youth of the resistance and members of the Indonesian army. Although it was held only for a few hours, it resulted in a UN resolution calling on the Dutch to leave.
Six Hours in Djogja
Bumi Makin Panas
Ali Shahab
Suzzanna, Dicky Suprapto
Maria (Suzzanna) goes to prison for murdering her own father. Upon release, she becomes a prostitute and then has a difficult time maintaining a romantic relationship with a young painter once she decides to get out of the business.
The Earth Gets Hotter
Krisis
Usmar Ismail
Rendra Karno, Tina Melinda
During the revolution, Jaka takes refuge and entrusts his house to Husin. Husin then rents the house to someone else and Maryam has to face this bitter fact. She is visited by Danu and his wife Ratih, whom Danu likes to spoil, using state funds. He is arrested when his baby’s shower party is being held. Out of shock, his pregnant wife prematurely delivers the baby and loses a lot of blood. While the others are busy panicking, the cool and composed Ridwan donates his blood. This act of compassion attracts Ros’s attention and she falls in love with him.
Krisis
Terminal Cinta
Abrar Siregar
W.S. Rendra, Marini Soerjosoemarno
Joki Tobing, a rebellious young man, arrives from Medan and works as a reporter. His reports cause him to be fired by his chief editor, and even his uncle, in whose house he is staying, throws him out. He reports on his uncle’s corruption, which also relates to his own father.
Love Terminal
Guna-guna Istri Muda
B.Z. Kadaryono
Rina Hasyim, Aedy Moward
A battle of black magic, revenge, death and assorted Indonesian weirdness occurs between Arifin, his first wife Tati, his second wife Sandra and playboy Anton, who is after Arifin's wealth (and Sandra). Two different shamans (one good and one evil) become involved in the jacked up love triangle.
A Young Wife's Witchcraft
Oma Irama Penasaran
A. Harris
Rhoma Irama, Yati Octavia
A dangdut singer, Oma, is dating Ani, the daughter of a plantation owner. But the girl's father tries to stop their relationship. Then Oma leaves for Jakarta and finally he becomes a major hit. Meanwhile, Ani runs away from home and her parents are worried but the story ends happily.
Oma Irama Penasaran
Catatan Harian Seorang Gadis
Nya Abbas Akup
Wahab Abdi, Aedy Moward
Directed by the legendary Nya Abbas Akup, who normally makes comedies, it tells a story of Saijah, confused between two men, Mondera, who is handsome, refined and educated, or Hamid, an old company director that is rich but unrefined.
A Girl's Diary
Kutukan Nyai Roro Kidul
B.Z. Kadaryono
Yanie Wulandari, Aedy Moward
Wulan is plagued by a recurring nightmare and is advised to get married to cure herself of it. Unfortunately, her husbands keep dying on their wedding night. Her misfortune becomes the gossip of her neighbors, who then start scheming to kill her. A young religious teacher comes to the village and ends up falling in love with her. But will he be the next to die?
The Curse of Nyai Roro Kidul
Bulan di Atas Kuburan
Asrul Sani
Muni Cader, Rachmat Hidayat
Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.
The Moon on the Graveyard