
Antonio Ross
2021Freedomfighters
Vicente Aranda
Ana Belén, Victoria Abril
At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.
Freedomfighters
Jarabo
Juan Antonio Bardem
Sancho Gracia, María José Alfonso
July 21, 1958. Madrid wakes up to the news that a pawnbroker has been murdered in his shop. Soon, police finds that the victim's associate, his pregnant wife and their maid have been murdered as well in their own home across the street.
Jarabo
El Lute: camina o revienta
Vicente Aranda
Imanol Arias, Victoria Abril
In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.
Lute: Forge On or Die
La larga noche de los bastones blancos
Javier Elorrieta
Enrique San Francisco, José María Rodero
Andrés, a young provincial who became blind during his childhood, comes to the capital with the possibility of having a transplant and recovering his sight. Upon arrival, he stays with an old friend of the family, Rogelio Molinos, who lives with his daughter Marisol. Soon a relationship is established between the two young people that makes Andrés conceive false illusions.
La larga noche de los bastones blancos
Hay que matar a B.
José Luis Borau
Darren McGavin, Stéphane Audran
In a fictitious South American country there's lots of political tension, the labor-unions have all their members on strike. The public demands the return of politician B. from exile. However private trucker Pal can't afford to strike, so he's beaten up and his truck burned. In the headlines he's described as strike-breaker. This is only part of an intrigue which shall get him to murder B.
Hay que matar a B.
Besos para todos
Jaime Chávarri
Emma Suárez, Eloy Azorín
Three students are sent by their families to Cadiz in 1965, his last chance to pass and become what is expected of them. The appearance of some dancers disrupts their commitments: boys lose the course and girls, their work. But together they learn to decide their future.
Kisses for Everyone
El poder del deseo
Juan Antonio Bardem
Marisol, Murray Head
Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.
El poder del deseo
Chicas de club
Jorge Grau
Elisa Laguna, Jesús Nieto
Starring Elisa Laguna, Paquita Ferrera, Rosa María Carmona, Leila Lakhoua, Fernando Hilbeck and Fernando Rey, «Chicas de club» is 1970 Drama film directed by Jorge Grau, and written by Mario Camus, Jorge Grau, and Claudio Rodríguez.
Canticle
Eugenie (Historia de una perversión)
Jesús Franco
Katja Bienert, Mabel Escaño
Eugenie is the capricious daughter of a rich diplomat, living in a seaside resort in Spain. She exhibits her young and splendid body in the beach and night-clubs. She feels an incredible adoration for her father who returns his daughter's passion.
Wicked Memoirs of Eugenie
Jaque a la dama
Francisco Rodríguez Fernández
Concha Velasco, Ana Belén
After Paula's suicide, her best friend, Ana, recalls the circumstances that united both women in the past and how they lived a close relationship that could have become more than just a friendship if social conventions had not prevented it.
Check to the Queen